Pulse Music

John Frusciante Reveals Love Of Prog & Genesis' Tony Banks

Red Hot Chili Peppers fans are revelling in the new double album, Return Of The Dream Canteen -- an arguably more varied musical snapshot of the band than its Unlimited Love collection, also released this year.

Guitarist John Frusciante shed light on some of his major influences, telling Guitar World, "I really love the band Genesis, their prog stuff, as well as their pop stuff. And their keyboardist Tony Banks, I put him up there with the Beatles as far as really coming up with imaginative chord progressions all over the place. He's really one of the most masterful chordsmiths that I think we've ever had."

He went on to say, "He makes these chord progressions that are so fluid, they're more like a melody than they are a chord progression. I definitely became really fluent in that style of progression during the time that I wasn't in the band."

Regarding his six-string influences, Frusciante revealed, "I really love guitar players like Randy Rhoads and Eddie Van Halen for the way that they could make the instrument explode through hand and whammy bar techniques. But I also really like the way people like (Black Flag's) Greg Ginn or Kurt Cobain play without it being so much about technique -- although there are all kinds of unconventional techniques in there -- but the focus is definitely a more visceral thing."

Drummer Chad Smith told us a while back why John Frusciante has been such an important part of the Chili Peppers over the years: "He's really inspiring to play -- he's an inspiring person. He's amazing. He's just all about music and art all day long and all night. It's just what he lives for. It's just really inspiring to be around somebody like that."

Red Hot Chili Peppers kick off their eight-date Down Under tour on January 21st at Auckland, New Zealand's Mt. Smart Stadium.

K-Pop Quickies: BTS + BLACKPINK!

JIN ANNOUNCES SOLO SINGLE: Jin will be the next BTS member to release solo music. The singer announced that he's been working on a new single "with someone that I'd always really like" at their Yet To Come concert in South Korea on Saturday (October 15th). (Variety)

JENNIE PERFORMS NEW SOLO SINGLE ON TOUR: Jennie treated fans to a performance of a brand-new solo track during the first stop of BLACKPINK'S world tour. She played the unreleased song "Moonlight" as one of the 23 songs in the K-pop band's setlist. According to their record label, YG Entertainment, this is the "largest world tour in the history of a K-pop girl group." (NME)

Billie Eilish Spotted Holding Hands With Jesse Rutherford

It looks like Billie Eilish may be dating The Neighborhood's Jesse Rutherford.

A video surfaced on TikTok Saturday (October 15th) that allegedly shows the 20-year-old "Bad Guy" singer holding hands with the 31-year-old vocalist at Halloween Horror Nights in Los Angeles.

Although their faces are not clearly shown in the clip, eagle-eyed social media users pieced together Eilish's timeline to confirm that it was her in the video.

Several Twitter users pointed out that the age gap is potentially problematic after they found photos of the two hanging out as far back as 2017, when Eilish was only 15

Bruce Springsteen Teases Commodores Classic

Bruce Springsteen has teased his new cover of the Commodores' 1985 classic "Nightshift." The track, which will officially drop on Friday (October 14th), will be included on his upcoming covers collection, Only The Strong Survives, which will be released on November 11th.

"Nightshift," which pays tribute to such soul legends as Marvin Gaye and Jackie Wilson, was the band's first hit after frontman and primary songwriter Lionel Richie left the band. The tune, which was co-written by drummer Walter Orange, was sung by him and Richie's replacement J.D. Nicholas.

"Nightshift" peaked at Number Three on the Billboard Hot 100, peaking at Number Two on the Adult Contemporary chart, and hit Number One on the magazine's Hot Black Singles list.

Bruce Springsteen admitted that his long hours honing his skills on stage -- both before he was famous and beyond -- along with his love for classic '60s singles have enabled him to deliver, what he calls "showtime" to people all across the globe: "It was romantic, because I grew up on the great romanticism of the Drifters and the (Phil) Spector records, and Ben E. King and that whole generation of beautiful romance that was in those songs. And then we were brought up. . . because we played in bars night after night -- y'know, you had to have something that caught people immediately, and all of those devices, the use of dynamics, the use of long songs that built, and built, and built really came out of a lot of those soul reviews. And, y'know, we remain, sort of, y'know, a highfalutin bar band."

Megan Thee Stallion To Host 'Saturday Night Live' This Weekend

Megan Thee Stallion will host Saturday Night Live this weekend. In a promotional video, she has an awkward moment with one of the show's cast members Sarah Sherman, who somehow doesn't realize she's nude.

In the skit, which refers to her massive hit with Cardi B, Megan asks her if she knows she's completely naked and showing her WAP?.

Megan Thee Stallion appeared on the show in 2020, but this weekend will mark her first time hosting. According to Billboard, she will likely play tracks from her new album Traumazine.

TL;DR:

  • Megan Thee Stallion will host Saturday Night Live this weekend.
  • Her first time to host.
  • According to Billboard, she will likely play tracks from her new album Traumazine.

Yes Releasing 1972 Shows As A 21-LP Live Set

Coming from Yes on December 2nd will be the 21-LP vinyl collection, Progeny: Seven Shows From Seventy-Two. The set, which was originally issued back in 2015 as a 14-CD boxe set, "holds every note from all seven shows, recorded in the fall of 1972 as the band's tour jumped from Canada to North Carolina, and then Georgia and Tennessee, before their last stop in New York at Nassau Coliseum on November 20th."

The package features "a cigarette-style flip-top box" with artwork by noted Yes graphic artist, Roger Dean and features each of the shows pressed on a different colored vinyl -- ruby, orange, cobalt, soda bottle clear, tan, forest green, and electric blue. The collection is limited to 1,972 individually numbered copies and is available exclusively at Rhino.com for $474.98, with pre-orders available now.

Looking back, singer Jon Anderson remembers how pivotal a role FM radio played for Yes when the band first got its start: "It was a very interesting time, the beginning of the '70s, because radio was getting its FM radio and people would play longer pieces of music. It wasn't as you say poppy. Progressive rock music -- it was a career all of a sudden." (:15 OC: . . . of a sudden)

Progeny: Seven Shows From Seventy-Two show listings:

October 31, 1972 - Toronto, ON
November 1, 1972 - Ottawa, ON
November 11, 1972 - Durham, NC
November 12, 1972 - Greensboro, NC
November 14, 1972 - Athens, GA
November 15, 1972 - Knoxville, TN
November 20, 1972 - Uniondale, NY

America Rolls Out Initial 2023 Tour Dates

America has rolled out its initial 2023 tour dates. The band, led by co-founders Gerry Beckley and Dewey Bunnell, kicks things off on January 12th in Shippensburg, Pennsylvania at the Luhrs Center and has shows booked through August 19th when they hit Lowell, Massachusetts' Lowell Memorial Auditorium.

America is known for playing a high-octane hit-filled show, and Gerry Beckley told us that they've never underestimated the importance of America's core fanbase: "We have the most loyal fans; I think you'll find that across the board, no matter who you tap in to, if you go to a lot of these classic acts --- I mean, we have people come 20, 30 times a year. There isn't millions of them, but there's enough to fill 100 shows a year. We go all over the planet."

We asked Dewey Bunnell if after all these years working with Gerry Beckley he ever thinks of it almost like a marriage: "People say that, of course, yeah, and Gerry and I have had a few marriages that didn't last as long, but nevertheless, we've worked together since we were teenagers -- y'know, we really went to high school together. Then, once we got established, made the first albums, had some success, moved to California -- then you set up your own lives a little. You know where the areas are in your lives that you want to keep private and you know where you can blend your work with your lives."

JUST ANNOUNCED: America 2023 tour dates (subject to change):

January 12 - Shippensburg, PA - Luhrs Center
January 19 - Sarasota, FL - Van Wezel PAC
January 20 - Jacksonville, FL - Florida Theatre
January 27 - Brookville, NY - Tilles Center for Performing Arts
February 10 - Indio, CA - Fantasy Springs Resort Casino
February 17, 18 - Collingswood, NJ - Scottish Rite Auditorium
February 23 - Melbourne, FL - King Center For The Performing Arts
February 24 - Pompano Beach, FL - Pompano Beach Amphitheatre
March 3 - New Brunswick, NJ - State Theatre New Jersey
March 4 - Englewood, NJ - Bergen PAC
March 16 - Canton, OH - Canton Palace Theatre
April 27 - Wabash, IN - Honeywell Center Ford Theater
June 14 - Alexandria, VA - The Birchmere
June 16 - Jim Thorpe, PA - Penns Peak
June 30 - Ridgefield, CT - The Ridgefield Playhouse
August 18 - Plymouth, MA - Plymouth Memorial Hall
August 19 - Lowell, MA - Lowell Memorial Auditorium

Happy Birthday, Paul Simon!!!

Happy Birthday to the legendary Paul Simon, who celebrates his 81st birthday today (October 13th)!!! Although he's retired from touring, Simon had said prior to launching his 2018 farewell trek that he intended to continue to sporadically perform and donate the proceeds to charity -- preferably those focused on the environment.

Simon is working on a new album tentatively titled, The Seven Psalms, and was recently recording at Manhattan's Reservoir Studios. The news was broken via a Facebook post by singer Barbara Fasano, who was coincidentally also recording at the studio complex and tracking a cover of Simon & Garfunkel's 1968 standard, "Old Friends," which Simon contributed to. There's been no announcement regarding when Simon will release the new album.

This past July 23rd, Paul Simon played a surprise four-song set during the Newport Folk Festival. Simon appeared during a tribute set to him, led by Nathaniel Rateliff & The Night Sweats.

At various points, Simon was joined by Jerry Douglas on guitar, Rhiannon Giddens, Lucius, Rateliff, and Willie Nelson's son Lukas Nelson -- whom Simon introduced as "an old family friend." Simon performed "Graceland," "American Tune," and "The Boxer" before closing with a solo take on the Simon & Garfunkel standard, "The Sound Of Silence."

Last April, Simon was the latest artist to receive a massive Grammy salute. The tribute concert -- billed as Homeward Bound: A Grammy Salute To The Songs Of Paul Simon -- took place at L.A.'s Hollywood Pantages Theatre and will air later this year.

In addition to Simon, other performers included Brandi Carlile, Brad Paisley, Billy Porter, Little Big Town, Rhiannon Giddens, Dave Matthews, Angélique Kidjo, Shaggy, Irma Thomas, and Trombone Shorty.

In April 2021, Paul Simon sold his publishing rights to Sony Music Publishing, with the company purchasing "the total collection of his catalogue." No financial details were released regarding the deal. 2021 also saw the release of Simon's audio biography, Miracle And Wonder: Conversations With Paul Simon.

Back in February 2020, Paul Simon donated $1 million to fund the Paul Simon Music Fellows Program across the five boroughs in New York City. Simon donated his net proceeds from the final show of his farewell tour, when he returned to his hometown of Queens, playing Corona Park on September 22nd, 2018.

Rolling Stone posted, "Each year, the Paul Simon Music Fellows Program will partner 20 young music educators across the five boroughs of New York City with veteran teachers, who will provide mentorship and skills training over the course of a school year. Additionally, the program will help bring new 'artists-in-residence' to schools across the city for 11 weeks at a time. And Simon will be involved as well, curating appearances from special guest artists who will lead master classes for students."

In 2019, Simon and wife Edie Brickell's then-24-year-old daughter, Lulu Simon, released her self-titled debut album.

In 2018, Paul Simon released his latest studio album, In The Blue Light, which featured new recordings of songs from his back solo catalogue. The album, which was produced by Simon and legendary Simon & Garfunkel co-producer Roy Halee, takes its title from the opening line of Simon's 1980 song "How The Heart Approaches What It Yearns." High profile musicians on the set include jazz icons Wynton Marsalis, Bill Frisell, Steve Gadd and Jack DeJohnette, as well as New York-based modern chamber sextet yMusic.

Simon said in a statement officially announcing the project: "This album consists of songs that I thought were almost right, or were odd enough to be overlooked the first time around. Re-doing arrangements, harmonic structures, and lyrics that didn't make their meaning clear, gave me time to clarify in my own head what I wanted to say, or realize what I was thinking and make it more easily understood."

In 2018, Robert Hilburn's long awaited biography Paul Simon: The Life was published. The book was culled from Hilburn's years of covering Simon's life and music -- along with over 100 hours of recent and exclusive interviews with the singer-songwriter. Hillburn told us that he knew going in the book needed to serve several purposes: "I wanted him to be happy with it and I wanted history to be happy with it -- if that doesn't sound pretentious. I wanted to tell an honest story as if someone sat down with him and got to know him and learned his life -- this is what's there. I wasn't looking to sensationalize it, I had no particular agenda other than my curiosity and respect -- but that doesn't mean that I wanted to hide things. If something happened in his life that wasn't pleasant, I wanted to deal with it as hard as I could."

Paul Simon -- with partner Art Garfunkel -- was a major force during the 1960's, with Simon & Garfunkel bridging the gaps between folk, the British Invasion, and eventually the singer-songwriter movement. Paul Simon, whether recording as part of Simon & Garfunkel or on his own, is responsible for witting some of the most important and beloved music of all time -- including such classics as "The Sound Of Silence," "Homeward Bound," "I Am A Rock," "Kathy's Song," "America," "59th Street Bridge Song (Feelin' Groovy)," "Old Friends," "Bookends Theme," "Mrs. Robinson," "The Boxer," "Cecilia," "Bridge Over Troubled Water," "Mother And Child Reunion," "American Tune," "Loves Me Like A Rock," "Kodachrome," "Something So Right," "Late In The Evening," "Train In The Distance," "Hearts And Bones," "Slip Sliding Away," "Still Crazy After All These Years," "50 Ways To Leave Your Lover," "Diamonds On The Soles Of Her Shoes," "The Boy In The Bubble," "Graceland," "The Obvious Child," "Rewrite," and many, many more.

2017 saw a new career-spanning Simon retrospective run at L.A.'s Skirball Cultural Center. Paul Simon: Words & Music, which was on loan from Cleveland's Rock and Roll Hall of Fame & Museum, displays "more than 150 items -- scratch-pad notes, awards, the first jacket he wore on American Bandstand, and his first acoustic guitar -- a 13th birthday gift from his father, Louis, a professional bass player." Also included are countless photographs, original lyric sheets, and an interactive music lab.

Recently released on CD and DVD is Paul Simon - The Concert In Hyde Park. The set, taped at the British festival gig on July 16th, 2012, was performed in part in celebration of the then-25th anniversary of Simon's era-defining Graceland album, and featured many of the set's original musicians performing 10 of the Grammy-winning album's 11 songs. Among the guest stars contributing to the historic concert were reggae legend Jimmy Cliff, Ladysmith Black Mambazo, and Thandiswa Mazwai.

Simon's 2016 album, Stranger To Stranger, not only marked his best chart debut, entering the Billboard 200 albums chart at Number Three, but made for his highest charting album in 30 years. The last time Simon charted that high was in 1986 for the Grammy Award winning Graceland collection. Stranger To Stranger -- which topped the UK album charts -- sold 68,000 copies in its first week of release stateside and hit Number One on both Billboard's Top Rock Albums and Americana/Folk Albums charts.

In 2014 and '15, Simon paired up with Sting for a joint tour that took the pair through dates in North America, Europe, and Down Under.

Back in May 2015, Art Garfunkel slammed Paul Simon for continuing full force on his solo career, seemingly oblivious to both Garfunkel and their fans' pleas for yet another Simon & Garfunkel reunion, saying he had "created a monster" by befriending and supporting Simon while school kids back in Queens and referred to Simon alternately as a "jerk" and an "idiot" for splitting with him in 1971 at the peak of the duo's success. Garfunkel also went on to agree with the interviewer who suggested that the five-foot, three-inch Simon might suffer from a "Napoleon complex."

After that, during Garfunkel's chat with The Guardian, he once again touched upon his relationship with Simon, saying, "Paul Simon is a man who has enormously enriched my life, period. . . we've enriched each other's lives. What would have been his life if his friend Artie didn't sing so good and been so good and produced those records so good? What would it have been? Something smaller."

In 2016 Paul Simon reflected on his relationship with Art Garfunkel admitting to Billboard: "There's nothing much to say. It's just Artie. He's wrestling with his demons. That's him. It's his life. I'm sorry he's angry to that degree, at this point in life."

In 2020 Garfunkel addressed his and Simon's lack of a relationship, telling American Songwriter, "It's very sad that we don't talk, too. Some of his lines kill me. In 'The Sound Of Silence,' the fourth verse: 'Silence like a cancer grows.' We never speak these days, Paul and I. And yet he wrote, 'Silence like a cancer grows.' It's sad how true it was years later. 'Bridge Over Troubled Water' has these things: I'll be your friend when you're in trouble. Well, I'm in trouble now that I'm 78, Paul. If Paul is supposed to be my friend, give me a phone call, Paul. Read this American Songwriter interview and give me a phone call. . . It's been a while."

In June 2014, charges were dropped against Simon and his wife Edie Brickell following their minor physical altercation the previous April 26th, which led to their arrest on disorderly conduct charges at their home in New Canaan, Connecticut. According to the police reports, it was Simon who called 911 -- and hung up -- while Brickell was arguing with her mother, who was visiting from Texas. When police arrived they heard Brickell yelling inside a cottage, which is a separate music studio apart from the house, with Simon waiting outside.

Brickell, reportedly entered the cottage "to confront Simon on something which he'd done that broke her heart," and stated that Simon "cannot handle being criticized in any manner and became confrontational with her," and accused him of acting like a "spoiled baby." It was reported that Brickell had a "moderate odor of alcohol" on her breath.

The singer admitted that she had struck Simon, saying, "I didn't hit him. I slapped him." Simon who "suffered a small superficial cut on his ear as a result of the slap, admitted to shoving his wife and calling 911 after she slapped him." At their initial court appearance, Simon, who held hands with Brickell while walking into the courthouse and throughout their first appearance in front of the judge, told the court: "We had an argument, which is atypical of us. Neither of us has any fear or any reason to feel threatened. I don't feel like I need to be protected. Both of us are fine together. We're going home together, and we're going to watch our son play baseball."


PAUL SIMON HISTORY

Simon & Garfunkel became friends towards the end of elementary school, and by their mid-teens had recorded their debut single "Hey Schoolgirl" under the name Tom & Jerry. After Simon & Garfunkel's mid-'60s heyday and their split in 1970, Simon released the scaled-down acoustic-based Paul Simon album in 1972. Although it was a commercial success, it paled in comparison to the duo's sales.

Simon's solo works differed greatly from his work with Art Garfunkel, embracing many different types of music: New Orleans jazz and pop-gospel on the hit single "Loves Me Like A Rock," African music on the album Graceland, South American on The Rhythm Of The Saints, and salsa music for Broadway with 1997's The Capeman. He's tried his hand acting as well, appearing in Woody Allen's Annie Hall and in the semi-autobiographical film One Trick Pony.

Throughout the decades, Paul Simon has never taken for granted being able to move through his life and work with relative autonomy: "I can do whatever I want artistically in my work. My work is accepted to lesser or greater degrees. Some things, sometimes are very popular. Sometimes it's less popular -- but essentially, I mean, people are willing to listen, or watch, or read what it is that I make up."

Simon & Garfunkel have reunited various times over the years, most notably at New York's Central Park in 1981, after which they hit the road for an extended two-year tour. An ill-fated attempt at a studio reunion put their relationship on the skids, until their next series of shows in 1993 and then their eventual 2003/2004 Old Friends reunion tour.

In June 2010 Simon & Garfunkel announced that they would be indefinitely be postponing their joint summer tour due to Art Garfunkel's vocal cord paralysis.

Art Garfunkel admits that Simon & Garfunkel's combined talents are bigger than the both of them: "It delights us to see, when we try and combine, there's that third thing that's beyond the two of us, and there it is, bouncing against the walls, reverberating in the mic, this buzzy thing that is neither Paul nor Artie. We suddenly disappear as the people we are, and we become this Simon & Garfunkel thing."

Garfunkel told us that during Simon & Garfunkel's 2003-2004 Old Friends reunion tour, his relationship with Paul Simon deepened beyond just being colleagues and childhood buddies: "We are daddies. We are getting closer to our sense of mortality. We're Jews with a similar sense of humor who cherish many a past laugh and past experience. We're workaholics. We have fierce mutual respect of each other's musical sense. Neither of us fell asleep in life as human beings or as musical people."

In 2007, Simon's son Harper Simon and current wife Edie Brickell teamed up as a duo called the Heavy Circles and released their debut album. Although Harper Simon sounds nothing like his dad, he admits that they're alike in many ways -- including how they tend to write to a pre-recorded rhythm track: "Well there's a lot of similarities 'cause I've probably learned a lot, somewhat, watching him write growing up. He writes in a very specific way now. I mean, it changed, I think, for him. We both start with a track. I mean, he'll start with a rhythm track -- I mean, he'll just start with drums. Anyway, he builds a track up and then he writes the song over the track. That's how he writes now most of the time. As opposed to just sitting down on a guitar and writing it all out in one shot on guitar -- he doesn't do that."

We caught up with Paul Simon's good friend, former neighbor and touring partner Sting, who told us that he considers himself to be a pupil of Simon's work for a long time now. We asked him what type of impact Simon & Garfunkel's catalogue had on him as he was first starting to play music: "Huge. I mean, I was at school and I bought Bridge Over Troubled Water and I was fascinated by Paul's writing because he was literate, and a literary songwriter. I thought, 'That's what. . . that's what I'd like to be. That's what I'd like to gravitate to.' Y'know, I played folk clubs and I'd sing (Simon & Garfunkel's) (I Wish I Was) 'Richard Cory,' and so I know that material extremely well and never ever suspected that one day, I would know the man, or be on the same stage or tour with him. That would be beyond the bounds of fantasy. But, y'know, he's been one of my teachers for a long time -- and still is. I'm still learning from him."

Simon, like many of his peers, has learned to weather the dry periods that come with any multi-decade career: "If you're a musician, you just love to play music, and the generations change and no one wants to hear what you're playing, what do you do -- if that's what you do? It applied to a lot of people I knew -- even very, very big stars. Y'know, internationally known stars, who, y'know, like, don't make hits -- even though they still make records, don't make hits. And how do you adjust to that? And of course, y'know one does adjust to that -- I mean it's a part of as we say, growing up."

Paul Simon told us that he doesn't think too hard while writing his new material, instead letting things come about organically: "They come out the way the come out, I don't plan them. When I start a song, I don't know what it's going to be about, and my criterion is 'Did I say something that was true as far as I knew.' And that's all. And then try to make it sound interesting and maybe have a good rhythm so that people can feel rhythm while they're listening. Y'know, I think I'm a rhythm songwriter who doesn't write for dance."

During a recent chat with journalist Christine Amanpour, Paul Simon spoke candidly on the collapse of his and Art Garfunkel's friendship and the state of their partnership today: "There's too much damage that was done. Y'know, it's, like, somebody that I've known since I'm 11. So, I understand. I think I understand why it happened, but I think it's best to stay away. . . to stay away for safety sake -- and so I do. It just. . . It just. . . it doesn't work. What can I say? It doesn't work."

In 2019, the National Museum of American History awarded its signature honor -- the Great Americans Medal to Paul Simon. In a Q&A, Simon talked about the emotions behind giving up on touring: "My wife, Edie, said to me when I began the tour, she said, 'Look, since this is your last time -- be aware that people want to thank you for what you did and take it in. You should understand that people want to say that, and you want to be able to say back, 'thank you.'' It was special. I won't say it was, y'know, a real. . . emotional. I wasn't on the edge of tears, or anything -- but it was special."

Jamie Foxx Denied Entry To Cardi B's Birthday Party

TMZ reports that as Cardi B was celebrating her 30th birthday party, actor/comedian Jamie Foxx showed up, but was turned away at the door.

Foxx brought along about 5 friends and the guard would not allow him to enter the party. As Foxx walked away, the door guard came running out to the street, asking him to come back. Foxx told him , "It's all good. I love you, but it was all too much." He then stepped back into his white Rolls-Royce and left.

According to a photo agency, Foxx was initially turned away because he had too many guests with him.

TL;DR:

  • Cardi B was celebrating her 30th birthday party, Jamie Foxx was turned away at the door.
  • According to a photo agency, Foxx had too many guests with him.

Josh Klinghoffer Feels Red Hot Chili Peppers Stifled His Creativity

Ousted Red Hot Chili Peppers guitarist Josh Klinghoffer believes he was actually held back creatively during his decade-long tenure in the band. In 2019, the Chili Peppers fired Klinghoffer upon John Frusciante's return to the group.

Klinghoffer, who now performs as part of Eddie Vedder's side band, the Earthlings -- as well as a touring member of Pearl Jam -- spoke frankly to Guitar World and said, "Obviously, it's sad when something is taken from you. I did a perfect 10 years with them, but for as much as I love those guys and loved playing with them, it was also enormously stifling creatively. They're an established band with an established sound, and I learned over time how little deviating from that was possible."

He went on to explain, "When I first joined, I wouldn't use certain chords when I was writing if they sounded like something John would play. Or if it sounded like a choice they would have made on their last album, I purposely went the other way."

Klinghoffer spoke about how far he was able to let his creativity shine during his run with the band: "I thought I was doing a good job of writing music with them, but it wound up not kind of becoming part of my story, or if it is part of my story with them, it's a small part. As much as I thought they were up for experimentation, they generally stayed in their own lane."

Although he calls his time with the band, "a blessing and a beautiful experience." He also felt leaving was, "the best thing that could have happened to me. I'm free to explore other musical avenues and perhaps find my own sound more than I was able to with them."

Back in the day, upon joining the Chili Peppers, drummer Chad Smith raved about Klinghoffer's playing style: "Josh is not a hit you over the head kind of guy. He comes at you like a fog, y'know? It kind of envelopes you and he's like a sonic architect more than like a riff guy. But he comes up with the coolest, smart, cool -- like he can rock hard, no doubt about it. Josh can get his rock on. But Josh is an incredible musician."

Lizzo Shares Release Date For HBO Max Documentary

Lizzo's documentary. called Love, Lizzo will be out in time for the holidays. She posted on Instagram on Wednesday (Oct. 12) and revealed the name and release date. In the film, she shares her inspirational story of humble beginnings, along with an intimate look into her hard-earned rise to fame.

She says she's finally getting to tell her story, her way. Lizzo shared in a press statement, "Growing up I never dreamed I'd get to experience all of the things I've accomplished in my life, and I'm just getting started."

The HBO Max documentary will begin streaming November 24.

TL;DR:

  • Lizzo's documentary called Love, Lizzo on HBO Max, will begin streaming November 24.
  • She says she's finally getting to tell her story, her way.

Mark Hoppus Had A Hard Time Keeping Blink-182's Reunion A Secret, Almost Told A Random Fan

After Blink-182 announced this week that they were reuniting, bassist/vocalist Mark Hoppus said he had a hard time keeping the secret. He was at a Dodgers game recently when a fan approached him and asked him if there was ever a chance they would record again. Hoppus said the guy was so sincere that he wanted to just tell him right there.

In the long run, Hoppus was able to wait a few days to reveal that Tom DeLonge was joining him and Travis Barker for a new album and tour.

Blink-182's new single, "Edging" is set to drop this week.

TL;DR:

  • Mark Hoppus said he had a hard time keeping the secret and almost told a fan at a recent Dodgers game.
  • Blink-182's new single, "Edging" is set to drop tomorrow (10-14).

Taylor Swift Calls Lana Del Rey 'One Of The Best Musical Artists Ever'

Taylor Swift is a big fan of Lana Del Rey and announced recently that she's featured on her upcoming album, Midnights. Posting about the song on Instagram, she called Del Rey "one of the best musical artists ever."

According to Swift, "Snow on the Beach" is about "falling in love with someone at the same time as they're falling in love with you.

She explained the song and said, "You're kind of looking around going like, 'Wait, is this real? Is this a dream? Kind of like it would be if you were to see snow falling on a beach."

Midnights will be out on October 21.

TL;DR:

  • Taylor Swift says Lana Del Rey is "one of the best musical artists ever."
  • She's featured on "Snow on the Beach" which will be on Swift's new album, Midnights, out on October 21.

New Doc On Big Audio Dynamite's Don Letts Set For Release

A career spanning doc on the legendary British film and musical counterculture hero Don Letts, titled Rebel Dread, will be available for streaming and purchase on November 1st. Letts, who became widely known to the MTV crowd after co-founding Big Audio Dynamite with The Clash's Mick Jones, is renowned for his work on countless videos and films for the Clash, PiL, the Pretenders, Elvis Costello & The Attractions, Jimmy Cliff, and so many more.

According to the movie's press release:

Celebrating one of popular music and film's most brilliant and benevolent luminaries, Rebel Dread explores the life and creative work of Don Letts. For decades, Letts has been at the center of the action, uniting creative scenes and people as a trailblazing artist and documentarian across punk rock, reggae, rap/hip-hop, street art, music filmmaking, and beyond.

As a countercultural lightning rod for nearly five decades, he has played a significant role in propelling some of the world's most inventive and influential avant garde music, art and film into exciting new terrain.

Letts, who's currently a BBC Radio host and an acclaimed, globally in-demand DJ, will announce his debut solo album and release his first single on October 21st.

Rebel Dread will premiere in Manhattan on October 24th at the Village East by Angelika -- with Letts on-hand for a post screening Q&A.

The L.A. premiere is set for November 1st the Grammy Museum, with Letts also appearing at the event.

A while back, while chatting with United Reggae TV, Don Letts shed light on his major inspirations: "If I hadn't have met the punks you probably wouldn't be talking to me now, because it was through their energy and inspiration that I was moved to pick up a movie camera and reinvent myself as a filmmaker. I saw a film, The Harder They Come -- Jamaica's most famous film. Great movie starring Jimmy Cliff and I was really impressed by the way it entertained, informed, and inspired. Because as a first generation British-born black of that time, we knew what we sounded like, because we had a soundtrack -- reggae. But we really didn't know what we looked like. One of two things happened to change that. The advent of Bob Marley and the film, The Harder They Come, which, kind of, spoke volumes to, kind of, the black British youth that were growing up in this country. And we were looking for this information -- y'know, visual accompaniment."

The Rolling Stones Recording In NYC

The work on the first all new Rolling Stones album since 2005 continues. Both Mick Jagger and Keith Richards have been captured entering and exiting Manhattan's famed Electric Lady Studios -- with drummer Steve Jordan actually photographed laying down tracks for the new set.

There's been no word when fans can expect the album to drop.

When we last caught up with Ron Wood, he told us that the eight or so Mick Jagger - Keith Richards originals already in the can from their then-recent sessions might end up being there for a while: "Well, those things have to cook awhile, y'know, the new songs. No, I thought I'd leave this up to Mick this time, and, y'know, Keith was saying, 'Well, let's see where it's gonna take shape.' 'Cause, I always come in with songs if they haven't got any (laughs). I like to see what they come up with first. But those songs are gonna sit a while and maybe be re-done, whereas the blues songs, we just hit it once (claps) -- bang! Y'know, next song! We had the album in two, three days."

Britney Spears Says Her Father Treated Her Like A Dog

Britney Spears went after her father on Instagram Tuesday (Oct. 11th).

In the caption of a photo carousel, the "Toxic" singer claimed that Jamie Spears treated her like "less than a f***ing dog," writing, "WHAT MAKES YOU SO G**DAMN SPECIAL ??? WHAT MAKES YOUR OTHER DAUGHTERS SO G**DAMN SPECIAL THAT YOU TREATED ME LESS THAN A F***ING DOG ??? Every morning I wake up and every night before I go to sleep I pray to f***ing god you get just 5 minutes of the pain I felt in that place for 4 months !!! I pray you burn in hell you sorry son of a bitch !!!"

In a separate, now-deleted post transcribed by Page Six, the 40-year-old pop star also posted five separate notes app screenshots where she explained how her dad made her feel "ugliest" during her 13-year conservatorship.

She wrote in part, "Then in the conservatorship, I felt absolutely nothing. I was sad, had no say in my looks in photoshoots, had to follow guidelines … I will say it until the day I f***king die … my family ruined my f–king life !!!"

Queen Releasing Lost Freddie Mercury Track This Week

Set for release on Thursday (October 13th) will be the long-unreleased Queen track, "Face It Alone." London's Express reported the track featuring the late-Freddie Mercury on vocals, is and outtake from the band's 1989 The Miracle album. Brian May posted a 15-second snippet of the track on social media.

Earlier this year, Brian May and Roger Taylor spoke about the recording, telling BBC Radio 2, with Taylor saying, "Yes, we did find a little gem from Freddie, that we'd kind of forgotten about. And it was. It's wonderful. Actually, it was real discovery. It's from The Miracle sessions. . . It's a very passionate piece."

Brian May added, "It was kind of hiding in plain sight. We looked at it many times and thought, 'Oh no, we can't really rescue that.' But in fact, we went in there again and our wonderful engineering team went, 'OK, we can do this and this.' It's like kind of stitching bits together. But it's beautiful, it's touching."

Shortly before his 1991 death, Freddie Mercury looked back at Queen's storied career that had not only spanned -- but incorporated -- prog, glam, punk, and new wave: "I must say, I didn't really think we were gonna last that long. I mean you never think about it; like, you don't get up every morning and think, 'My God, this is going to be over.' You just carry on and come up with fresh ideas and think about what to do. So, as long as we don't take it too seriously. Earlier on, we used to take it very seriously and I think it got a bit too serious. Now, I just thought to myself, we should try to inject some fun into it, y'know?"

Flashback: Fleetwood Mac Releases 'Tusk'

It was 43 years ago today (October 12th, 1979) that Fleetwood Mac released its long awaited followup to its 1977 mega-platinum selling Rumours collection. Tusk, which cost over $1 million to produce, fell short of commercial expectations depute being certified double platinum, hitting Number Four in the U.S. and topping the charts in England.

Tusk spent 15 weeks in the U.S. Top 10 and spawned three hit singles -- the Lindsey Buckingham-written title track -- recorded with the U.S.C. Trojan Marching Band -- which hit Number Eight; Stevie Nicks' ethereal ballad, "Sara," which topped out at Number 11; and Christine McVie's infectious love letter to her then-main squeeze, late-Beach Boys drummer Dennis Wilson -- "Think About Me," which stalled at Number 20 despite sounding the most like Rumours-era Fleetwood Mac.

Lindsey Buckingham told us the recording of both Rumours and Tusk forced the band to consistently bury their emotions for the sake of art: "If there was one worst thing it was probably just that it was difficult for all four of us as two couples to have broken up, to be alienated -- probably to have not gotten anything close to closure. And to still kind of have to move forward. And in order to do that you had to kind of compartmentalize your emotions a little bit. You had to seal one thing off here and get on with the rest of it there. It was probably an exercise in denial."

Buckingham told us that after achieving such massive success across the board, he was desperate to see Fleetwood Mac break new boundaries: "I obviously, was still struggling with the idea that I was producing stuff for Stevie (Nicks). It was more about the struggle of trying to invest bandmates in a musical vision of what lay beyond the formula of Rumours. That's what the Tusk album was all about. It was saying, ‘Okay, we just sold millions and millions of albums, but look what see we could be doing.' Y'know, a lot of new wave and the punk movement all had occurred, y'know, in the time after Rumours came out, and it just seemed to me that we were such a good band, that if we had the courage as a group to band together, to explore, to take chances, that we had vistas that would just lay off into infinity."

We asked Stevie Nicks to describe the process behind how a song makes it to the finished album as opposed to one that doesn't make the cut: "When you go into the studio, sometimes they just don't work. Then they go back into the vaults, because that doesn't mean they're not gonna work three years from now. So, I never even give anybody anything unless I think it's really good and really finished, as far as I can go with it. So, I never even play parts of songs for people. Y'know, it's like, they're done. You pretty much know really fast. You get one really good verse, and you're like, 'this is great,' y'know, so now we're gonna try to make a chorus that's as good as that verse."

It was during sessions for Rumours that Stevie Nicks and her Fleetwood Mac bandmates began a dangerous cycle of booze and drugs that tangled the group up in cross addiction, that was running full throttle throughout the Tusk sessions: "For us it was basically, y'know, brandy, cigarettes, pot, and coke -- and that was just the wicked little circle -- 'rat's wheel,' I call it -- that everybody was on. Y'know, you do some coke and you were nervous and then you'd smoke some pot to calm down, and you were too stoned and then you'd, y'know, do some more coke to wake up and then you'd have a drink, ‘cause you were too nervous. . . and it was just a nightmare."

There are differing opinions as to why Tusk -- a successful album by any other standards -- was deemed a "stiff" by the music industry. The blame lies in several places, although Lindsey Buckingham -- the band's driving creative force -- was blamed for pushing the band into recording far too experimental music, the simple truth is that although their contributions were brilliant, neither Stevie Nicks nor Christine McVie brought hit material to the sessions.
Another bone of contention was the hefty price tag of Tusk -- a whopping $15.98 -- which was a full two dollars more than other double LP at the time. Perhaps the biggest knock Tusk had against it at the sales rack was the decision to allow RKO Radio to broadcast the album in its entirety, leading millions of fans to simply tape the full album off the radio, rather than plonking down the big bucks for the album. In truth, all of the above factored into Tusk's under-performance, which took place in the midst of a major record industry slump.
Mick Fleetwood told us that having a deep catalogue featuring both blockbuster classics and more personal creative triumphs is one of the most rewarding aspects of Fleetwood Mac's career: "That's part of the advantage of having a broad-based deep catalogue that we have and being one of those bands that has got underneath that wire where within reason, we're not gonna go away in my lifetime. It would've already happened and it hasn't. So you're underneath that fence and you're on the other side in an area that's a privilege to be in."

In 2015 a five-CD deluxe box set of Tusk was released featuring a remastered version of the album, a complete alternate version of the set, as well as an additional selection of singles, demos, and remixes, including an outtake of "Think About Me," an early version of "That's Enough For Me" called "Out On The Road," plus several incarnations of "I Know I'm Not Wrong."

One of the main draws for fans was the double-disc live collection culled from the mammoth Tusk world tour, featuring songs taped in London, Tucson, and St. Louis. Highlights include then-current Tusk tunes "Sara," "Over And Over" and "Save Me A Place" -- along with such Mac classics as "Landslide," "You Make Loving Fun," "Rhiannon," "Don't Stop," and "Go Your Own Way," among others.

The 2015 deluxe edition of Tusk also includes a 5.1 surround mix of the album on DVD-Audio, with a vinyl edition of the original album on two LP's, along with a newly produced booklet with extended liner notes featuring recent interviews with Lindsey Buckingham, Stevie Nicks, Christine McVie, Mick Fleetwood, and John McVie.

Back in 2019, the band's legendary co-producer Ken Caillat, along with the Mac's engineer Hernan Rojas, have collaborated on the new book, Get Tusked: The Inside Story Of Fleetwood Mac's Most Anticipated Album. The book follows Calliat's 2012 memoir on the band's Rumours sessions, titled, Making Rumours.

Foreigner Set For 2023 Vegas Residency

Foreigner has rolled out its first 2023 tour dates -- including eight nights at The Venetian in Las Vegas. The band will play "Sin City" on March 24th 25th, 29th, and 31st, as well as April 1st, 5th, 7th, and 8th. The band also has booked an April 3rd show at Tucson, Arizona's Linda Ronstadt Music Hall.

Even though Foreigner has never fallen into the category of "critics' darlings," songwriter, leader, and guitarist Mick Jones -- the sole original founding member still in the band -- told us that Foreigner's album sales and ticket receipts prove that they've always struck the right chord with fans: "How can you complain about people listening, and hearing, and your music reaching so many people? I think it's wonderful. It's a great achievement to have these songs having stood the test of time like this, you know, and getting the amount of play they still do."

UPDATED: Foreigner tour dates (subject to change):

October 21 - Puerto Aventuras, Mexico - Roxfest Classic
October 23 - Fort Worth, TX - Tannahill's Tavern & Music Hall
November 11 - Atlantic City, NJ - Hard Rock Cafe
November 12 - Bethlehem, PA - Vision Nightclub at Wind Creek Event Center
November 15 - Tampa, FL - Seminole Hard Rock Hotel & Casino Tampa
November 16 - Coconut Creek, FL - Seminole Casino Coconut Creek Outdoors
November 17 - Sarasota, FL - Van Wezel Performing Arts Hall
November 19 - Fort Myers, FL - Barbara B. Mann Performing Arts Hall at FSW
November 20 - Melbourne, FL - The Maxwell C. King Center
March 24, 25, 29, 31 - Las Vegas, NV - The Venetian
April 1 - Las Vegas, NV - The Venetian
April 3 - Tucson, AZ - Linda Ronstadt Music Hall
April 5, 7, 8 - Las Vegas, NV - The Venetian

Lizzo Says She'd Only Marry Myke Wright If She Wanted To Start A Business With Him

Lizzo opened up about her relationship with Myke Wright in a new interview with Vanity Fair.

While "Good As Hell" singer said that the stand-up comedian is the love of her life and called him her "life mate," she made it clear that she'd only marry for one reason. She said, "If I wanted to start a business with him, I'd get married because that's when your finances come together."

Lizzo also addressed her thoughts on monogomy, saying, "People fight for monogamy like they pray to it every day. I'm not thinking about sex when I think about monogamy and rules. I'm thinking about the autonomy and independence of him and me."

Despite her struggles with the concept, she says she's not polyamorous either adding, "I'm not in love with multiple partners. That is not me."

New Duran Duran Concert Doc Hitting Theaters On November 3rd

Hitting theaters on November 3rd is A Hollywood High -- Duran Duran's new 75-minute documentary concert film. According to Rolling Stone, the film features the group's "recent rooftop performance in the city at the Aster and gathered up decades-old archival footage to pair with exclusive interviews."

Bassist John Taylor said in a statement, "Duran Duran have had an enduring relationship with the city of Los Angeles since the first time we came to America. We were determined to do something unique to celebrate our four decades together. A rooftop performance in LA with the Capitol Records building across the street and the Hollywood sign looming in the distance sounded perfect and turned out to be an extraordinary night for all of us."

Keyboardist Nick Rhodes added, "We wanted to do something really special and intimate. After considering many options, a rooftop performance quickly became the frontrunner. It was post-pandemic, we had never done anything like that before, and we had just released a new album. Somehow it seemed like a magical doorway to the next part of our journey."

John Taylor admitted to us that Duran Duran retains a one-of-a-kind chemistry: "The kind of fortune that Duran Duran was sort of happens once in a lifetime, really. It's just like kids that come together that happen to, like, be into the same thing -- just happen to go to the right place, the right time, meet Mr. Big and da-da-da-da. Suddenly, it's a snowball effect."

Duran Duran will next perform on October 30th and 31st in Las Vegas at the Encore Theater at the Wynn.

Quickies: Sam Smith, Ed Sheeran, Louis Tomlinson + More!

ED SHEERAN GAVE SAM SMITH A SIX-FOOT-TALL PENIS STATUE: Sam Smith told Kelly Clarkson Tuesday (October 11th) that Ed Sheeran gifted them a six-foot-tall penis statue. They said on the Kelly Clarkson Show, "It's actually wild. I thought it was a joke. It's a 6-foot-2 marble penis. It's two tons, and I'm gonna have to get it craned into my house." The "Shape of You" singer says they're planning on turning it into a water fountain.

LOUIS TOMLINSON TEASES NEW SINGLE: Louis Tomlinson has new music coming out Friday (October 14th). The One Direction alum teased his forthcoming single, "Out of My System" on social media Tuesday (October 11th). His sophomore solo album, Faith In The Future, drops November 11th.

CHRISTINA AGUILERA TO RELEASE A NEW VIDEO FOR 'BEAUTIFUL': Christina Aguilera is celebrating the 20th anniversary of Stripped by releasing a new music video for "Beautiful." The updated visual for the 2002 single drops October 19th. The singer wrote in her Twitter announcement, "Tune out and turn in. Take your space, log off, put your mind, body, and soul first."

Unfinished Chris Cornell / Eddie Van Halen Collaboration Exists

Chris Cornell guitarist Pete Thorn revealed that late-Soundgarden frontman and Eddie Van Halen actually worked together on the same track. Loudwire reported that the pair had become friendly around the time Cornell was recording his 2009 solo album Scream -- with Cornell asking Van Halen to play on one of the tracks. Producer Dave Friedman hooked the pair up, with Thorn recalling, "45 minutes later he texted me and said, 'Ed wants you to call him, here's his cell phone number.' So I left him a message and he called me back and said, 'Well how soon can you come up the studio and play me this stuff?' So we set up a date, I drove up the 5150 (studio) , and he was just so cool."

Thorn went on to remember making the trek to Van Halen's studio and getting to work: "I get out of the car and there he is, and y'know, he gives me a big hug and said, 'Okay, let's go studio and take a listen. . .' I was just like, 'This is my hero,' y'know? 'This is awesome!' He took me into 5150 and he was so humble and unassuming."

He went on to explain, "I don't want to get anyone excited about this thinking it ever got finished because it didn't, but he did work on it. I would go up there over the next couple of weeks and he had played on it and I'd be like, 'I can't believe this is happening, myself and Eddie on a track.' But it's a long story, but it never got a vocal on it by Chris. And Ed got busy doing the next Van Halen album right about then. . . it just never ended up getting finished. I heard it once, but we just never finished it. So somewhere at 5150 there's a 24-track reel with that on it, and someday I'd love to (find it)."

Slash -- a close friend and longtime fan -- believes that although Eddie Van Halen has been lauded for his groundbreaking physicality -- a lot of the guitarists that followed in his wake, failed to pick up on the subtleties that made him so unique: "I don't think anybody's had as much an influence. Every kid on the block was learning Van Halen licks. In between all the technical prowess that Eddie had, there was a killer blues thing. Everybody that emulated it, nobody ever got that part. They had the hammer-ons, they had the tremelo bar stuff, and all that kind of crap -- but they never got the most important was all the really tasty stuff that was in-between. And just, like, the melodic stuff where all the soul was coming from."

Happy Birthday To Sam Moore Of Sam & Dave!!!

Sam Moore -- one half of the legendary R&B duo Sam & Dave -- celebrates his 87th birthday today (October 12th). Moore and Dave Prater are best remembered for their historic '60s hits for the Stax label, including "You Don't Know Like I Know," "I Thank You," "Hold On! I'm Comin'" and 1967's Top Three hit "Soul Man." The duo recorded the majority of their work at Memphis' Stax studios under the guidance of songwriter/producers Isaac Hayes and Dave Porter, with Booker T. and the MGs often serving as their backing band. Sam & Dave officially split in 1969, only to reform from 1972 to 1975.

Sam Moore is featured on a pair of tunes on Bruce Springsteen's upcoming soul covers set, titled Only The Strong Survive, which drops on November 11th. Moore guests with "The Boss" on both "Soul Days" and "I Forgot To Be Your Lover."

After the success of the Blues Brothers' 1978 cover of "Soul Man" Sam & Dave teamed up again and toured extensively through 1981. Prater died in a car accident in 1988 and Moore has continued to record and remain a top concert draw. Sam & Dave were inducted into the Rock and Roll Hall of Fame in 1992. That same year, Moore was featured singing on several cuts on Bruce Springsteen's Human Touch album.

In 2020, Sam Moore appeared on PBS' Grammy Salute To Music Legends, as part of the network's Great Performances series. The show captured the fourth annual all-star concert spotlight for the Academy's 2019 Special Merit Awards recipients. In addition to Sam & Dave, the honorees were Black Sabbath, George Clinton & Parliament-Funkadelic, Billy Eckstine, Donny Hathaway, Julio Iglesias, Dionne Warwick, Lou Adler, Nickolas Ashford & Valerie Simpson, Johnny Mandel, and Saul Walker.

In October 2015, Sam & Dave were inducted into the Memphis Music Hall of Fame along with such legends and stars as Alberta Hunter, Al Jackson, Jr., Memphis Slim, Scotty Moore, Charlie Rich, and Justin Timberlake.

In 2017, Sam Moore released his latest album, titled, Sam Moore: An American Patriot. In addition to his renditions of "America The Beautiful," "The Battle Hymn Of The Republic," and "The Star-Spangled Banner," Moore covers John Lennon's "Imagine," Lee Greenwood's "God Bless The U.S.A.," and Marvin Gaye's "What's Going On."

Sam Moore told us that he feels lucky to be constantly working -- be it on the road or in the studio: "Fortunately, I've been blessed to do other things. I've recorded with other people like Bruce Springsteen and Don Henley, I've done movies, I've done shows where I could make a couple of bucks. I've been fortunate that a movie will come up, or a soundtrack will come up, and I can do that. So in that way, I've been able to get away to do those kind of things, y'know, to make a living."

Moore told us that when he hits the road again, he'd like to branch out and perform other types of music besides just R&B: "I think I deserve to walk on stage and sing songs that no one would ever expect Sam Moore to do. I'm going to have to do 'Soul Man,' I know that. I don't kid myself about that. I know, if given a chance, I can also do '(I did it) My Way.' I think I can do that kind of stuff!"

He told us that the music business -- and what's expected of working musicians -- is a world away from what it was in the 1960's: "We had to stand there and sing. We had to prove that we belonged on that stage. From the Jackie Wilsons to the Sam Cookes to the Marvin Gayes, the Sam & Daves, the James Browns, Al Greens and what not -- Aretha Franklins -- we had to count on that God-given talent. So I think that in itself is the difference."

Sam Moore says that as the years have passed he's been amazed at what he's been able to accomplish in his lifetime: "I have recorded with some of the biggest stars in the industry. I have performed before many high-level officials -- presidents, congressmen, senators, queens, kings. I've appeared at the Shea Stadium. I've appeared at Madison Square Garden. I've been all. . . halfway around the world."