Pulse Music

Cardi B Directing Offset's Next Music Video

Cardi B is directing her husband, Offset's upcoming video.

She didn't reveal who, but did say that he won't be the only one in the music clip. She tweeted, "I'm directing one of Offset's music videos with a very sexy, talented artist. It's going to be amazing."

The rumor mill seems to think it's R&B star Chlöe Bailey, who Offset recently teased a collaboration with.

Cardi and Chlöe have history too. Last year, she covered Cardi's hit single "Be Careful" and appeared on an episode of Cardi Tries, the rapper's Facebook reality show.

TL;DR:

  • Cardi B is directing her husband, Offset's upcoming video.
  • The rumor mill seems to think it's R&B star Chlöe Bailey, who Offset recently teased a collaboration with.

Kiss Announces Deluxe 'Creatures Of The Night' Box Set

Set for release on November 18th is Kiss' "Creatures Of The Night - 40th Anniversary Super Deluxe Edition." The 103-track collection features 75 previously unreleased. The set features a newly remastered original album with two discs featuring 34 demos, rarities & outtakes including unreleased gems like "Deadly Weapon (Penny Lane Demo)," "Not For The Innocent (Demo)" and "Betrayed (Outtake)."

Discs Four and Five highlight 26 soundboard live recordings from the Creatures '82/'83 Tour and seven rare tour sound effects, all recorded and archived by the Creatures tour sound engineer Harry Witz. The Blu-ray Audio disc showcases a first-ever Atmos and 5.1 surround mix plus the high-resolution newly remastered 1982 stereo mix of the original album.

Creatures Of The Night was released on October 13th, 1982. Although Ace Frehley is pictured on the album's cover and is listed in the credits, he did not play on the album and had been replaced by Vinnie Vincent.

The album, a longtime fan favorite for its return-to-form songwriting and hardness, peaked at Number 45 on the Billboard 200. Creatures Of The Night was the band's final release for Casablanca and their last to be released while still wearing makeup until 1998's Psycho Circus.

Back in 1982, while promoting Creatures, Gene Simmons spelled out how important the band's true fan base remained even after a decade of success: "We keep in touch. We correspond with certain fans whose opinions we trust -- that they don't try to flatter us by telling us that everything is great. And some fans tell us that she of the things we do are not that good -- and that's very important. Someone who has an honest relationship with you. And we do have very close contact with our fans."

The tracklist to Kiss' "Creatures Of The Night - 40th Anniversary Super Deluxe Edition" is:

Disc One: Creatures Of The Night - Original Album Remastered:

1. Creatures Of The Night
2. Saint And Sinner
3. Keep Me Comin'
4. Rock And Roll Hell
5. Danger
6. I Love It Loud
7. I Still Love You
8. Killer
9. War Machine

Disc Two: Demos, Rarities & Outtakes:

1. I'm A Legend Tonight
2. Down On Your Knees
3. Nowhere To Run
4. Partners In Crime
5. Deadly Weapon (Penny Lane Demo)*
6. Feel Like Heaven (Penny Lane Demo)*
7. Nowhere To Run (Penny Lane Demo)*
8. Deadly Weapon (Original Demo)*
9. Feel Like Heaven (Original Demo)*
10. Nowhere To Run (Take 11 –Instrumental)*
11. Tell It To A Fool (Take 4 –Drums & Bass Instrumental)*
12. Chrome Goes Into Motion (Take 2 –Drums & Bass Instrumental)*
13. I'm A Legend Tonight (Mix 4 –Instrumental & Background Vocals)*
14. Don't Leave Me Lonely (Take 8 –Drums & Guitar Instrumental)*
15. Something Seems To Happen At Night (Gene Simmons Demo)
16. It's Gonna Be Alright (Gene Simmons Demo)

Disc Three: Demos, Rarities & Outtakes:

1. Legends Never Die (Gene Simmons Demo)
2. It's My Life (Gene Simmons Demo)
3. Not For The Innocent (Demo)*
4. I Still Love You (Take 1)*
5. I Still Love You (Take 2)*
6. Saint And Sinner (Take 1)*
7. Saint And Sinner (Take 2 –False Start)*
8. Saint And Sinner (Take 3)*
9. Betrayed (Outtake)*
10. Creatures Of The Night (Alternate Mix 19)*
11. Partners In Crime (Alternate Mix 16B)*
12. I Love It Loud (Alternate Mix 21)*
13. War Machine (Full-Length Version –Mix 11)*
14. Rock And Roll Hell (Take 2–9/10/1982)*
15. Rock And Roll Hell (Take 1 –Incomplete–9/15/1982)*
16. Rock And Roll Hell (Take 2–9/15/1982)*
17. I Love It Loud (Single Edit)
18. Creatures Of The Night (1985 Remix)

Disc Four: Creatures Tiur Live '82/'83 - Part One:

1. Creatures Of The Night (Rockford, Illinois–12/31/1982)*
2. Strutter (Sioux City, Iowa–12/30/1982)*
3. Calling Dr. Love (Sioux City, Iowa–12/30/1982)*
4. Firehouse (Sioux City, Iowa–12/30/1982)*
5. I Love It Loud (Rockford, Illinois–12/31/1982)*
6. Cold Gin (Sioux City, Iowa–12/30/1982)*
7. Keep Me Comin' (Sioux City, Iowa–12/30/1982)*
8. War Machine (Sioux City, Iowa–12/30/1982)*
9. I Want You (Houston, Texas –3/10/1983)*
10. Rock And Roll Hell (Rockford, Illinois–12/31/1982)*
11. I Still Love You (Sioux City, Iowa–12/30/1982)*
12. Shout It Out Loud (Sioux City, Iowa–12/30/1982)*
13. Gene's Bass Solo (Sioux City, Iowa–12/30/1982)*
14. God Of Thunder / Eric's Drum Solo / God Of Thunder (Rockford, Illinois–12/31/1982)*

Disc Five: Creatures Tiur Live '82/'83 - Part 2:

1. Paul's Love Gun Rap (Rockford, Illinois–12/31/1982)*
2. Love Gun (Rockford, Illinois–12/31/1982)*
3. Paul's Guitar Solo (Rockford, Illinois–12/31/1982)*
4. Black Diamond (Houston, Texas–3/10/1983)*
5. Detroit Rock City (Houston, Texas–3/10/1983)*
6. Rock And Roll All Nite (Houston, Texas–3/10/1983)*

Bonus Live Performances

7. Rock And Roll Hell (Sioux City, Iowa–12/30/1982)*
8. I Want You (Rockford, Illinois –12/31/1982)*
9. King Of The Night Time World (Pine Bluff, Arkansas–2/11/1983)*
10. Cold Gin (Houston, Texas–3/10/1983)*
11. I Still Love You (Houston, Texas–3/10/1983)*
12. Strutter (Houston, Texas–3/10/1983)*

Bonus Creatures Tour Sound Effects

13. Tank Start Of Show*
14. Turbine*
15. Firehouse Siren*
16. Drum and Ending Tank*
17. Bass Solo Wind and Gargoyles*
18. Bells*
19. Flames*

* Previously unreleased

Blu-ray Audio: Creatures Of The Night album:

*48kHz 24-bit Dolby Atmos / *48kHz 24-bit Dolby TrueHD 5.1 Surround / 96kHz 24-bit High-Resolution PCM Stereo

Nicki Minaj Drops Remix To Skeng's 'Likkle Miss'

Ahead of Sunday night's (8-28) VMA's, Nicki Minaj dropped new music to her fans.

She joined Jamaican dancehall star Skeng on the official remix to his single "Likkle Miss," which was released to streaming services.

The song has been added to her greatest hits album, Queen Radio: Volume 1, which came out last week.

The compilation features some of the biggest songs from her discography including "Beez in the Trap," "Chun-Li," "Moment 4 Life"… And "Super Freaky Girl," which became her first solo #1 single on the Billboard Hot 100.

TL;DR:

  • She released a remix of Skeng's "Likkle Miss" over the weekend.

Ozzy Osbourne Doesn't Want To Die In The United States

Ozzy Osbourne doesn't want to die in the United States.

The 73-year-old rocker told the Observer that mass shootings are part of the reason he and his wife and manager Sharon will be spending most of their time in the U.K. from now on.

The former Black Sabbath front man said, "I'm fed up with people getting killed every day. God knows how many people have been shot in school shootings. And there was that mass shooting in Vegas at that concert… It's f***ing crazy."

He added, "I don't want to die in America. I don't want to be buried in f***king Forest Lawn. I'm English. I want to be back. But saying that, if my wife said we've got to go and live in Timbuktu, I'll go. But, no, it's just time for me to come home."

However, it doesn't look like Sharon will be bringing him stateside any time soon. The former cohost of The Talk said, "America has changed so drastically. It isn't the United States of America at all. Nothing's united about it. It's a very weird place to live right now."

Flashback: The Beatles Play Final Official Concert

It was 56 years ago tonight (August 29th, 1966), that the Beatles performed their last official concert in San Francisco at Candlestick Park. The tour, which had already hit Germany, Japan and the Philippines, was dogged by controversy -- protests greeted the group in Tokyo prior to their performance at the Budokan Arena, which until then had been reserved strictly for the martial arts. And in the Philippines, the group fled the country after being accused of snubbing the infamous President and First Lady Ferdinand and Imelda Marcos, after they politely declined to attend an official state luncheon.

By the time the group landed in the U.S. to kick off the tour on August 12th, a furor was brewing over John Lennon's remarks about religion made months before in a British interview, which had been reprinted out of context in a teen magazine, saying: "Christianity will go, it will vanish and shrink. . . Jesus was alright, but his disciples were thick and ordinary. . . We're more popular than Jesus now." Lennon's statements, which were ignored in Britain, ignited protests, including record burnings all over the "bible belt" and southern U.S. states.

The Beatles held a press conference on August 11th in Chicago, the night before they were due to perform, with Lennon trying to explain exactly what he meant in the interview. In lieu of an actual apology this quelled the Beatle bonfires, but the controversy cast a shadow over the tour, which proved to be lackluster -- both in the Beatles' performances and ticket sales.

Beatlefan magazine's executive editor Al Sussman says that it was clear that by the summer of '66 that "Beatlemania" was on the wane: "There were rumors at the time that the tour might be canceled. And indeed a number of the shows including Shea Stadium were not sellouts, and that upper deck was pretty empty."

George Harrison recalled the early buzz the group got before Beatlemania became dark and all consuming: "By the time we first came to America, it was just a novelty. Just to be natural, and cute, and everybody seemed to like us, y'know? It was easy. All we did was be four cheeky lads and they loved it. And at that time, it was fun. Y'know, traveling, everybody giving us attention and the records all selling -- it was wonderful. But then it just became too much."

On August 29th, 1966 at 8 p.m. the Beatles took the stage on the second base line at Candlestick Park, and ran through their 33-minute show, performing 11 songs: Chuck Berry's "Rock And Roll Music," "She's A Woman," "If I Needed Someone," "Day Tripper," "Baby's In Black," "I Feel Fine," "Yesterday," "I Wanna Be Your Man," "Nowhere Man," "Paperback Writer," and Little Richard's "Long Tall Sally."

Al Sussman explained that despite the fact that the Beatles had released their latest album Revolver just in time for the tour -- as unthinkable as it may seem by today's standards -- the group didn't feature even one of the songs in the tour's setlist: "Y'know, the fact that in '66 they toured, what -- the tour began the week after Revolver came out, and it wasn't as if they were touring behind the album, because they didn't do anything from it. Y'know, because they basically really couldn't."

Paul McCartney, knowing that the show was to be the Beatles' last, captured the 33-minute show on a portable tape recorder, the tape from which has eventually made the rounds of bootleg collectors. Rather than end with "I'm Down," which was their usual set-closer for the tour, McCartney surprised the rest of the group by launching into their original set closer, "Long Tall Sally," as a nod to the music that originally inspired them.

Afterward, George Harrison broke into a few notes of "In My Life" from the group's 1965 Rubber Soul album. The group then turned their backs on the 25,000 screaming fans and posed for a camera set on an automatic timer, to symbolically cap off their performing career. They were then whisked out of the stadium by armored van.

Both Beatles scholars and casual fans are raving about the massive two volume deluxe compendium, titled, Some Fun Tonight!: The Backstage Story Of How The Beatles Rocked America: The Historic Tours Of 1964 - 1966, Volumes One & Two by Chuck Gunderson.

Although the Beatles' '66 tour has been perceived as the group's least successful due to the backlash against Lennon's "Bigger Than Jesus" statement and some patchy attendance at various venues, Gunderson explains that had the public known that it was the Beatles last go 'round as a performing band -- the stadiums would've been packed as in the prior two tours: "Barry Tashian, who, y'know, was one of the support acts -- the lead singer of the Remains -- made an interesting point and that was, he said, ‘Y'know, a lot of people they'd seen the Beatles' -- especially these major cities where they'd come every year, y'know, L.A., New York, Chicago, Toronto' -- he said, ‘Y'know, people saw ‘em in '64 and '65 and here they are coming back in '66,' well, a lot of people he heard say: ‘Y'know, here they are again -- we can't catch ‘em this time, we'll catch them next year' -- y'know in '67. Well, '67 never happened. It was over."

Al Sussman says that in hindsight it was obvious that the tour would be their last: "They knew. That's why they recorded the last show. Because it had gotten so awful. . . They were really looking toward it as the last tour anyway, but especially after the Christ thing they said, 'We're done.'"

McCartney remembered that it was after the band's August 21st, 1966 rain-drenched gig at St. Louis' Busch Memorial Stadium that he finally decided -- like his bandmates -- that he was done with the road: "We'd all use to run in the back of these vans they'd hired. And this was, like, a silver-lined van -- chromium -- nothing in it, like a furniture van with nothing in it, just chrome. And we were all piled into this after a really miserable gig and I said, 'Right. That's it!'"

Heart's Ann and Nancy Wilson caught the Beatles' third-to-last show on the tour on August 25th, 1966 at the Seattle Coliseum. Nancy Wilson set the scene for what went down at the concert: "Yeah, we got to (laughs) see them. We could actually hear them slightly above the screaming, and it was kinda cool -- the parts we could hear. We were in a band at the time with uniforms that matched the Beatles' uniforms (laughs) that we wore to the Beatle show! We were slightly neurotic. And we weren't screaming; we were absorbing."

John Lennon recalled that in light of the troubled tour, leaving the road behind was hardly a tough choice to make: "After the Beatles' last tour -- the one where the Klu Klux Klan were burning Beatles records and I was held up as being a Satanist, or something; then we decided 'no more touring. That's enough of that.' I'm not going to put up with it."

Lennon revealed years later that it was during the filming of How I Won The War that he first considered leaving the Beatles: "I was really too scared to walk away. I was thinking, 'Well, this is like the end, really.' There's no more touring. That means there's going to be a blank space in the future at some time, or another. That's when I really started considering life without the Beatles. 'What would it be?' And I spent that six weeks thinking about that. 'What am I gonna do? Am I gonna be doing Vegas?' -- (which is what) I call it now, but cabaret? I mean, where do you go? So, that's when I started thinking about it. But I could not think what it could be, or how I could do it. I didn't consider forming my own group, or anything, because it didn't even enter my mind -- just, 'What would I do when it stopped?'"

Apple Records staffer Chris O'Dell -- who was immortalized in the 1973 George Harrison song "Miss O'Dell" -- was asked about how she viewed the group's inter-personal relationships: "I don't think that I thought of them necessarily as bandmates. I thought of them as good friends who were very, very, strongly united. Y'know, I had long discussions with George, and he and I had long talks about what it was like in the early days. And though there were all those problems underneath -- I mean, he said, 'No one will ever know but the other three what it was really like' -- y'know, as he would describe the Hamburg days and everything. And in a way that bond was a tie that nobody could really ever get into."

George Harrison talked about the final concert in The Beatles Anthology, saying, "We'd done about 1,400 live shows and I certainly felt that was it. I was thinking, 'This is going to be such a relief -- not having to go through that madness anymore'. . . It was a unanimous decision."

Although the Beatles performed in public one more time, with keyboardist Billy Preston on January 30th, 1969 on the London rooftop of their Apple headquarters, during the finale of their Let It Be movie, the group's Candlestick Park performance was their last officially advertised and ticketed concert.

Upon returning to London on August 31st, 1966, the Beatles all went their separate ways, with John Lennon heading to Spain to star in the film How I Won The War, and George Harrison going to India to study the sitar. McCartney and Ringo Starr stayed based in London for the first month or so, with McCartney composing the score for the movie The Family Way and Starr tending to his growing family.

During the Beatles' group hiatus, McCartney slicked his hair back and grew a mustache so that he could drive through Europe anonymously. He eventually met up with Lennon and manager Brian Epstein in Paris. He also realized a life-long dream by going on Safari in Africa. Starr traveled to Almeria, Spain for a long visit with Lennon on the set of How I Won The War.

On November 24th, 1966 all four Beatles regrouped at Abbey Road Studios to begin recording "Strawberry Fields Forever," which was the first track recorded for the album Sgt. Pepper's Lonely Hearts Club Band, even though it was removed from the project early on and released as a single.

On December 20th, 1966 Paul McCartney chatted with a reporter outside Abbey Road Studios on his way to a recording session for "When I'm Sixty-Four" and explained why the Beatles were staying off the road: (Interviewer): "If you never toured again, would it worry you? (Paul McCartney): "Uh, I don't know. No, I don't think so." (Interviewer): "It wouldn't worry you." (McCartney): "Because the only thing about that, you see, is that performance, for us. . . see, it's, it's gone downhill, performance. 'Cause we can't develop when no one can hear us, y'know what I mean? So, for us to perform is difficult. It gets difficult each time." (Interviewer): "You mean, they don't listen to you, therefore you don't want to do that?" (McCartney): "Oh yeah, we wanna do it, but, uh, if we're not listened to and we can't even hear ourselves, then we can't improve on that. We can't get any better. So, we're trying to get better with things, like, recording."

On August 14th, 2014 Paul McCartney returned to Candlestick Park to play the stadium's final concert before the structure was leveled. In commemoration of the "Fab Four's" final gig, he snuck in a cover of Little Richard's "Long Tall Sally" into the setlist, tipping his hat to the last song the Beatles played at the venue back in 1966.

The story of Beatles' 1966 tour and final Candlestick Park concert is featured in Ron Howard's 2016 award winning documentary, The Beatles: Eight Days A Week - The Touring Years.

Fans Choose Top 30 Nirvana Tracks

Nirvana fans have spoken and voted for the band's Top 30 tracks, with Loudersound.com posting the list and the backstory behind each song.

Not surprisingly, the 1991 Kurt Cobain-written Nevermind classic, "Smells Like Teen Spirit" came in at Number One, followed by that album's "Lithium" at Number Two, with the Top Three rounded out by "Heart-Shaped Box" -- the lead single from 1993's In Utero.

Bassist Krist Novoselic told us appreciates the interest fans continue to have in Nirvana. "I do. I love Nirvana fans. I love Kurt and I love Dave, and I feel great to have played music with them. In some ways I've been finding out that Nirvana represents an evolution of consciousness for people and I think that's something to be really proud of."

Nirvana's brief-but brilliant career has been analyzed and marked as a turning point in modern rock. Dave Grohl told us a while back that the bottom line was that Nirvana simply loved to rock out: "There was a lot of that crazy, heavy element in Nirvana. Y'know, the one thing that Nirvana was against was just the bull****."

THE TOP 30 NIRVANA SONGS - according to the readers of Loudersound.com:

1. "Smells Like Teen Spirit"
2. "Lithium"
3. "Heart-Shaped Box"
4. "Come As You Are"
5. "All Apologies"
6. "Aneurysm"
7. "Drain You"
8. "Breed"
9. "In Bloom"
10. "You Know You're Right"
11. "Territorial Pissings"
12. "Lounge Act"
13. "Where Did You Sleep Last Night"
14. "About A Girl"
15. "Pennyroyal Tea"
16. "Rape Me"
17. "Negative Creep"
18. "The Man Who Sold The World"
19. "Sliver"
20. "Frances Farmer Will Have Her Revenge On Seattle"
21. "Something In The Way"
22. "Sappy"
23. "Scentless Apprentice"
24. "On A Plain"
25. "Polly"
26. "Serve The Servants"
27. "Radio Friendly Unit Shifter"
28. "Milk It"
29. "Dive"
30. "Love Buzz"

Members Of My Chemical Romance And Coheed And Cambria Collaborate With Other Bands To Tour And Record

Frank lero of My Chemical Romance has teamed up with a few other artists to form a new group called L.S. Dunes.

Other band members include Travis Stever of Coheed and Cambria. Anthony Green from Circa Survive and two members from Thursday Tim Payne and Tucker Rule.

Through a press release, Rule said, "We wanted to do something where you can hear all our bands in it and yet, not have it sound like any one in particular."

The new single, "Permanent Rebellion" is out now and the album will be released on November 11.

L.S. Dunes have announced a short run of North American tour dates, kicking off at Riot Fest in Chicago on September 16th and wrapping up in Baltimore on November 30th.

My Chemical Romance is currently touring North America as well.

TL;DR:

  • Members of My Chemical Romance, Coheed and Cambria, Circa and Thursday formed a band called L.S. Dunes.
  • Album out next month as well as a tour.

David Bowie 'Moonage Daydream' Soundtrack Coming Next Month

Set for release digitally on September 16th is the soundtrack to Brett Morgen's David Bowie documentary, Moonage Daydream. Highlights on the set include a previously unreleased live medley of "The Jean Genie / Love Me Do / The Jean Genie" recorded live at the final Ziggy Stardust concert at Hammersmith Odeon in 1973, featuring Jeff Beck on guitar.

Other rarities include an early version of the Hunky Dory favorite "Quicksand" and a previously unreleased live version of "Rock N' Roll With Me" from the legendary 1974 tour behind Diamond Dogs.

The CD version of the set will be released on November 18th.

Moonage Daydream, which spans Bowie's entire career, hits theaters and in IMAX on September 16th.

David Bowie explained that his late-1970's work with producer Brian Eno forever shaped the way he thought about songs and music: "The whole idea of using a recording studio as an instrument, of not necessarily thinking that you have to be prepared totally before you go in; that accidents will happen and sometimes planned accidents work our really well. If there's a bad note, you can layer that note several times with other instruments and suddenly that bad note sounds like an extraordinary piece of arrangement."

David Bowie died on January 10th, 2016 -- just two days after his 69th birthday -- following a private 18-month battle with cancer.

Sam Smith And Kim Petras Collaborate On New Song

Sam Smith and Kim Petras have been working on new music together. The two of them posted a series of photos and videos on Thursday (8-25) that showed them in the studio. In one of them, they were dancing together to their new song, "Unholy."

Although the clips are short, you can still get the gist of the song. Smith sings about a torrid affair taking place in a garage, singing… "Mummy don't know daddy's getting hot/ At the body shop/ Doing something unholy."

Petras also posted that she would be releasing two new songs this month, including the one with Smith.

They didn't mention a release date.

TL;DR:

  • Sam Smith and Kim Petras have recorded a new song together called "Unholy."
  • They both posted photos and video clips of the song online.

Blondie Goes 'Against The Odds' Today

Out today (August 26th) is Blondie: Against The Odds 1974-1982. The deluxe eight-CD set is available on multiple formats and features all six of the band's studio sets -- Blondie (1976), Plastic Letters (1977), Parallel Lines (1978), Eat To The Beat (1979), Autoamerican (1980), and The Hunter (1982).

The set features 36 previously unissued tracks, two volumes of liner notes, track-by-track commentary from Debbie Harry, Chris Stein, Clem Burke, Jimmy Destri, Nigel Harrison, Frank Infante, and Gary Valentine, an illustrated discography, and dozens of previously unpublished photos.

Blondie's co-founder and keyboardist Jimmy Destri credits Debbie Harry's movie star looks for keeping the band in step with cutting edge fashion -- a fact that was especially underlined on the band's TV appearances: "A major part of that was Debbie. When you've got somebody that looks like that in your band, you're sort of lifted up by the power of your lead person. y'know? You've gotta strive to look better and better. So we used to, like, really carefully try and put the persona on. Actually Clem said this a while back, when we had the reunion, he said, 'Well, look at us. . .' -- there was a picture of us without Debbie, like waiting for her, for her makeup, and we look like Oasis (laughs). Y'know?"

Backstage at Blondie's 2006 Rock Hall induction, drummer Clem Burke spoke frankly about Debbie Harry's influence: "One of the reasons why we are in the Rock And Roll Hall Of Fame is because of Debbie and obviously she opened the door for a lot of other women, and I think that's probably why it's a lot easier nowadays, and I think that's kind of obvious."

Coldplay Tops July Boxscore Grossing More Than $60 Million

Coldplay has been near the top of Billboard's monthly Top Tours chart for nearly a year, and now the band has crossed the hurdle.

The first few shows of the band's European tour sold over 700,000 tickets. That puts them at #1 in the July Boxscore Report. Translated to dollars, that means they grossed more than $60 million for that short span of time. That's an average of $6.1 million per concert.

Coldplay recently wrapped a 6 night stint at London's Wembley Stadium and just announced a string of new European dates that run May through July next year.

Along with a selfie, with the crowd in the background, they posted: "What an amazing way to finish the 2022 European leg of this tour."

TL;DR:

  • Coldplay is #1 on Top Tours chart.
  • The first few shows of the band's European tour sold over 700,000 tickets.
  • In July they grossed more than $60 million.

Doja Cat Says She's 70 Days Vape-Free

Doja Cat is 70 days vape-free. She posted a somewhat comedic video online making the announcement. She wrote: "Are you proud of me?"

She got her point across - that it hasn't been easy and said she was ready to "peel her skin off for a smoke."

In May, Doja revealed that she had to have a tonsil procedure because of an abscess and had to cancel several shows because of it.

In June, Doja underwent surgery, and gave fans several funny updates on Twitter. One included a raspy rendition of Nicki Minaj's verse on Trey Songz' "Bottoms Up" all while wearing her hospital gown.

  • TL;DR:
  • Doja Cat is 70 days vape-free.
  • She said that it hasn't been easy and she was ready to peel her skin off for a smoke.

Gene Simmons Says The Grateful Dead Was 'A Snore' In Concert

Gene Simmons has never been among those to hold his tongue -- whether onstage with Kiss or when discussing rock n' roll.

During a recent appearance on Dean Delray's Let There Be Talk podcast, Simmons couldn't help but share his disdain for fellow Rock and Roll Hall of Famers -- the Grateful Dead: "The English gave us Led Zeppelin; we gave the world the Grateful Dead. Come on! A guy with a beard holding his guitar close to his neck (laughter) -- that's just not cool. Good luck to everybody. I've gone to one or two of their shows and, look, I've got Grateful Dead fans who I like and all that stuff -- (the band was) the biggest snore I've ever seen. And by the way, it's like a sausage fest. There's not a chick in sight. Nowhere. It's like a Rush concert, one of my favorite bands. (Dean Delray): Oh yeah, totally! (Gene Simmons): You can't find a chick within a mile of that place."

Kiss kicks off its North American dates on September 21st at West Palm Beach's IThink Financial Amphitheare.

Olivia Rodrigo Joins Billy Joel On Stage

Olivia Rodrigo surprised fans when she walked out on stage at a Billy Joel concert in New York City this week.

They performed her hit "Déjà vu" which mentions Billy Joel's classic song, "Uptown Girl." So, they sang that too.

From the Madison Square Garden stage, Rodrigo said: "Thank you so much for having me, Billy. I'm such a huge fan. And, uh, I kind of wrote this next song about you."

"Deja Vu" was Rodrigo's second single from her debut album Sour, released last spring and peaked at #3 on the Billboard Hot 100 chart. Ironically, "Uptown Girl" also peaked at #3. It remained there for 5 consecutive weeks in 1983 and 1984.

TL;DR:

  • Olivia Rodrigo surprised fans when she walked out on stage at a Billy Joel concert in New York City this week.
  • They performed her hit "Déjà vu" and Billy Joel's "Uptown Girl."

Quickies: Harry Styles, John Legend, Eminem, Snoop Dogg

A new movie trailer dropped this week for Don't Worry Darling, featuring Harry Styles. The clip depicts a tense conversation between Styles and his co-star Florence Pugh. He plays a 1950s working man who suddenly finds himself too deep in his company's mysterious project. The psychological thriller was directed by Olivia Wilde, who is Styles' real-life girlfriend and it premiers nationwide on September 23.

John Legend is the latest artist to announced that he'll teach an online class about songwriting, through MasterClass. He'll break down his writing process from start to finish, giving members a framework for finding their voice and writing with purpose. Legend will also give members a firsthand look into the creation of his song "Free," which he first performed this year on the Grammy Awards. The MasterClass is available now and subscribers receive unlimited access to all 150+ instructors with an annual membership.

This weekend, Eminem and Snoop Dogg will transform the Video Music Awards stage for a first of its kind performance of "From the D 2 The LBC." Hosted by LL Cool J, Nicki Minaj, and Jack Harlow, the show airs live on Sunday (8-28) at 8pm ET on MTV.

Flashback: Billy Joel Scores Last Number One Album To Date

Sunday (August 28th) marks the 29th anniversary of Billy Joel's last studio album -- River Of Dreams -- topping the Billboard 200 album charts. River Of Dreams, the "Piano Man's" 12th album, was released on August 10th, 1993 and spent three weeks at Number One -- between August 28th and September 17th -- when it was knocked out of the top spot by Garth Brooks' In Pieces. River Of Dreams' cover was painted by Billy's then wife, Christie Brinkley and snagged Rolling Stone's "Top Picks" award for "Best Album Cover Of The Year." To date, the album has sold over five million copies in the U.S. alone.

For River Of Dreams -- despite the success of his teamup with Foreigner's Mick Jones, who was behind the boards for 1989's Storm Front -- Billy tapped veteran guitarist/producer Danny "Kootch" Kortchmar, best known for his guitar work for the likes of James Taylor, Carole King, Crosby & Nash, Jackson Browne, and Linda Ronstadt, among many others. At that point, Kortchmar was particularly hot following his co-production and songwriting duties on Don Henley's 1984 set Building The Perfect Beast and its 1989 followup, The End Of The Innocence.

River Of Dreams, which was Billy's last work completed during his marriage to Brinkley, touched upon their relationship on "Blonde Over Blue," their pending split on his song for their daughter Alexa, "Lullabye (Goodnight, My Angel)," and his contempt for his former brother-in-law and crooked ex-manager Frank Weber on "The Great Wall Of China."

The album spawned four singles, the Top Three "The River Of Dreams"; "All About Soul," which hit Number 29; "No Man's Land," which peaked at Number 18 on Billboard's Mainstream Rock Tracks chart; and "Lullabye (Goodnight, My Angel), which reached Number 18 on Billboard's Hot Adult Contemporary Tracks list.

River Of Dreams was nominated for four Grammys the following year, including the coveted Album Of The Year, with the title track garnering noms for Song Of The Year, Record Of The Year, and Best Pop Vocal Performance. Ultimately, Billy went home empty handed that year.

With decades now between Billy Joel and his last rock songs, we asked him why he's traded rock music for mostly unheard classical compositions: "The reason I stopped writing pop songs, and songs in general, is because I felt constrained by song form. There's an orthodoxy to pop; you're writing inside of a box. Y'know, it can't be too long, you have to repeat the verse over and over, you gotta have a hook, you gotta have lyrics in it, you gotta have rock n' roll instrumentation, you gotta have bass, drums, guitar, there has to be a voice taking the lead. Then I thought to myself, 'Well, why? Why? Who says I have to do this?'"

It's been over 25 years since the release of the River Of Dreams album. Billy explained that he left the songwriting trade with a telling and poignant kiss-off: "I wrote a song called 'Famous Last Words.' I felt like I had reached a point where I wasn't gonna write songs anymore. It was sort of a self-fulfilling prophecy. It says, 'These are the last words I have to say/for that's the story of my life.' It just seemed like that was the time to write that song, and I kinda closed the book."

Elton John, who spent many years on the road with Billy Joel, believes that he still has more rock songs in his system, despite having not released a rock album in a quarter-century: "He seems to say, 'Well, I can't do this anymore, I can't do this anymore.' But, y'know, he's not a rock n' roll artist -- he's a great songwriter, and great songwriters always write songs, and there'll be songs coming from Billy Joel's piano again. I'm always saying, 'Come on, come on, come on, come on,' but in good time, he'll do it again. In the meantime, he's gone off and done something else, and he goes and does lectures and stuff like that. He's enjoying himself. Y'know, he'll, he'll admit, 'I'm just coasting at the moment,' but I don't think that he's gonna be happy coasting."

During Billy's exile from releasing rock music, he composed the 2001 classical album Billy Joel: Fantasies & Delusions (Music For Solo Piano) and recorded one "pop" song, the big band-inspired one-off single, "All My Life," which was released in 2007 and produced by the late-Phil Ramone.

FAST FORWARD

This past Wednesday night (August 24th) during his monthly concert at New York's Madison Square Garden, Billy Joel was joined by pop star Olivia Rodrigo.

The pair performed Rodrigo's hit "Deja Vu" -- which name-checks Billy's tune "Uptown Girl," before the pair sang the 1983 Top Three An Innocent Man smash together.

55 Years Gone: Beatles Manager Brian Epstein Remembered

Saturday (August 27th) marks the 55th anniversary of the death of the Beatles' manager Brian Epstein. Epstein, who died of an accidental drug overdose at the age of 32, literally groomed the group from a scruffy, leather clad, bar band into the most successful and influential musicians of their time. In April 2014, Epstein was finally inducted into the Rock and Roll Hall of Fame.

In 1963, Brian Epstein described what he saw on December 9th, 1961 when he caught the Beatles' lunchtime gig at the soon-to-be legendary Cavern Club: "The Beatles were then just four lads on that rather dimly lit stage, somewhat ill-clad and their presentation -- well, it left a little to be desired, as far as I was concerned. But, amongst all that, I was immediately struck by their, their music, their beat, and their sense of humor, actually, on stage."

Epstein, who ran the music division of his parents' Liverpool department store, discovered the band in late 1961 and in just over six months had secured them their record deal with EMI Records. During his six years managing the band, Epstein's office supervised all of their personal and professional cares, including tour schedules, police security, personal mortgages, honeymoons, vacations, publicity, and much more. Epstein served as the best man to John Lennon and Ringo Starr at their weddings, and at George Harrison's wedding, he shared best man duties with Paul McCartney. In 1963, John and Cynthia Lennon named Epstein the godfather to their only child, Julian Lennon.

On top of dealing with the Beatles, Epstein's NEMS Enterprises managed a stable of Liverpool stars, including Gerry & The Pacemakers, Billy J. Kramer & The Dakotas, and Cilla Black, among others. In later years, Epstein had a hand in the careers of the Bee Gees and Cream, via a short-lived partnership with Robert Stigwood.

Epstein was far from a perfect businessman, losing the group millions of dollars in a U.S. company producing Beatles merchandising. Although in recent years much has been written about Epstein's failings in the financial aspects of the Beatles' career, it should be noted that, apart from Elvis Presley, at the time there had been no barometer as to how to manage a pop group. Epstein and the Beatles were literally in uncharted waters as they helped create rock as a new industry. Despite the barriers that Epstein broke in terms of rock management, merchandising, and touring -- not to mention actually DISCOVERING THE BEATLES -- in the quarter century since it's come into being, he has yet to be inducted into the Rock and Roll Hall of Fame.

Martin Lewis, a noted Beatles aficionado who's occasionally done publicity for the group, explained just how absolute Epstein's belief was in "The Fab Four": "Fairly early on, the first thing that Brian Epstein said was, 'They will be bigger than Elvis.' This was the most ludicrous, preposterous statement imaginable. The Beatles were a bunch of scruffy lads, working class lads from Liverpool, a provincial city in England. No British artist had ever been successful in America -- let alone the opportunity of being as dominant as Elvis Presley. Within two-and-a-half years of making that statement, the Beatles were bigger than Elvis Presley."

His personal life, which included bouts of depression over being gay, led to his growing dependence on alcohol and prescription medications. At the time of his death, he was afraid that the Beatles would not re-sign him as their manager when his contract was up later that year. In recent years McCartney has stated that the Beatles would have kept Epstein on, but would have reduced his 20 percent managerial fee.

After the Beatles' breakup, all four members stated that Epstein's death was the first crack in the group's foundation, and helped lead to their eventual split in 1970.

A while back, Paul McCartney shed light on the man who discovered the Beatles and marked his first friendship with an openly gay man: "We were just Liverpool guys, so the word was 'queer' -- not gay. We didn't really have a problem with it, it was just something we made fun of -- that's just the way it was. We didn't actually know any -- we probably did -- you didn't talk about it. The word was out that Brian was gay, uh, amongst people. The great thing for us was it didn't really effect us in any way. I think we suspected that he might hit on one of us. In the early days we were slightly, sort of, wondering whether that was his interest in us. But in my personal knowledge, he didn't."

George Harrison's first wife Pattie Boyd speaks lovingly of Epstein in her recent memoir called, Wonderful Tonight - George Harrison, Eric Clapton And Me. She told us that Epstein served as a father figure for the Beatles: "I think that when they left home, when they left Liverpool and came to live in London, they were still very young. And I think that really they saw Brian as a patriarchal figure."

Billy J. Kramer was asked if he felt his deal with Epstein was fair, in view of the fact that Epstein took a large managerial percentage and had almost total control over Kramer's career: "At the time, yes. Obviously times have changed, deals are different than what they used to be. That's just the way that it was back then. It's like asking a ball player who's been retired for 20 years, was he pleased with what he got. Y'know, same kind of thing really."

Peter Asher, whose sister Jane Asher was engaged to Paul McCartney, first met Brian Epstein in 1963, while still a part of Peter & Gordon, who were the recipients of several Lennon & McCartney-written hits. He recalled to us what was unique about Epstein and the way he handled his business: "Yeah, the thing that most impressed me about Brian, and we weren't close friends, but I watched him, y'know, work with the Beatles, he actually cared almost more than any manager I've ever seen. He was so deeply committed. And, y'know, his biggest fear was ever putting a foot wrong or ever making a mistake. Y'know, he really wanted to get everything right and he wanted everything to be special."

The Beatles' late record producer George Martin credited Epstein's blind faith in the group's talent as the reason they were able to succeed: "Brian Epstein was dedicated to his charges, and he had faith in them when nobody else did. I think it was that faith that gave them their initial success. They'd been through so many things together and then had no success at all. Everywhere he went he was turned down, but it was his faith, I think, that persuaded me to come and bring them down to Liverpool and listen to them."

In 1991 a film titled The Hours And Times was released portraying a fictional account of Epstein's April 1963 holiday to Spain with John Lennon. According to legend, during the trip Epstein and Lennon consummated a sexual relationship.

A film on Epstein's life has been in the works for several years, with actor Jude Law reportedly attached to the project at one point.

In 2009, Variety reported that producer David Permut had acquired Tony Gittelson's script, called A Life In The Day, which chronicles Epstein's life from 1961 to 1967. No shooting date has been announced.

It was announced in 2012 that Tom Hanks and his Playtone production company will produce an upcoming, still-untitled Brian Epstein biopic. The film will be directed by Paul McGuigan with a screenplay by Todd Graff and stars actor Benedict Cumberbatch as Epstein. No start date has been set for the film.

In March 2019 it was announced a new program on Brian Epstein is in the works as a limited scripted series for Bravo. The project, based on Vivek J. Tiwary's graphic novel, The Fifth Beatle: The Brian Epstein Story, has already had two stalled movie versions based around the comic -- the last in 2015, with Simon Cowell producing. According to The Hollywood Reporter, "The potential series includes Tiwary's access to the Lennon/McCartney song catalog, marking the first Beatles-related biopic to secure those rights. Tiwary will pen the script and executive produce alongside Leopoldo Gout. The project hails from Universal Cable Productions and Sonar Entertainment." There's been no word as to when the project is set to start production.

James Hetfield's Wife Breaks Silence On Impending Divorce

The estranged wife of Metallica frontman James Hetfield has broken her silence regarding the pair's impending divorce after 25 years of marriage and nearly 30 years together.

Francesca Hetfield was quoted by TMZ as saying, "After 30 years of ups and downs but always with a lot of love, I am extremely saddened that my marriage has come to this."

Earlier this month James Hetfield filed for divorce, with TMZ reporting Hetfield had filed the papers in California earlier this year.

The couple, who met in 1992, married on August 17th, 1997 and share three adult children -- 24-year-old Cali, 22-year-old Castor -- the drummer for Bastardane, and 20-year-old Marcella.

Date Set For BTS Comeback Concert

It's official, a date has been set for the BTS comeback concert. Jin, Suga, J-Hope, RM, Jimin, V, and Jungkook will perform October 15 at Busan Ilgwang, in South Korea.

The free performance, will be the first by the K-pop stars since the June announcement that they would take a break. In the last few months members have been pursuing solo projects.

The in-person show is expected to attract more than 100,000 and another 10,000 people will be watching on a big screen in the parking lot of Busan Port International Passenger Terminal.

More details about a livestream are expected to be announced soon. As for now, it will stream on Weverse, ZEPETO, and NAVER NOW.

TL;DR:

  • BTS will play their comeback concert October 15 at Busan Ilgwang, in Gijang-gun.
  • It will livestream.
  • 100,000 people are expected to attend the show.

John Legend Release Music Video Featuring Saweetie

Multi-platinum, 12-time Grammy Award-winner, John Legend has debuted the video for "All She Wanna Do" and it features Grammy nominated artist, Saweetie.

The unique storyline shows a group of dancers who think they're at an open casting call until Legend and Saweetie surprise them on set to reveal the audition is actually the official music video shoot.

The song is from his upcoming 24-track, double-album and features Ty Dolla $ign, Rapsody, Rick Ross, Jada Kingdom, and several others.

Legend, will be out on September 9.

TL;DR:

  • John Legend has debuted the video for "All She Wanna Do" and it features Saweetie.
  • Legend, will be out on September 9.

Sammy Hagar Co-Wrote A New Song With Eddie Van Halen In His Sleep

Sammy Hagar has revealed that the late-Eddie Van Halen came to him in a dream and wrote a song with him. Hagar, who'll release Crazy Times, his latest album with the Circle on September 30th, spoke about the visitation to Ultimate Classic Rock.

Hagar explained, "About two months ago, I had this dream and Eddie came. . . We hadn't seen each other for a while. He's going, 'Man, let's write some music!' I said, 'Yeah, f*** it, man. Here, let's go!' (We) went over into a corner, in this room. He had a guitar and he played me this thing. It was like this lick -- (just like) the last lick that Eddie Van Halen showed me, when I went back for the (2004) reunion tour and when he was a mess. I said, 'Eddie, show me your newest s***,' because every time I'd be around him I'd say, 'Show me your newest s***.' He'd say, 'Oh, check this out!'"

He went on to say, "(In the dream) he did this harmonic thing and he slid it up to a chord, like a slide guitar. We wrote a song with that lick. I remembered it. I got up in the morning and I wrote the song. It's called, 'Thank You.' I used the f***in' lick that he showed me in the song. . . I've got goosebumps, head to toe, (talking about it). So I wrote it (about that experience), and we'll do that song someday."

Hagar spoke about how he intends to credit the song: "Now, that's going to be an Eddie-influenced song, to the point that I'm going to co-write it with him. I'm going to give him credit and then maybe we'll donate the money to charity, whatever. You see, I feel so embarrassed about it because everyone's going to say, 'Oh, look at Sammy trying to capitalize on Eddie.' No, I'm not. You don't understand. This was a real f***in' dream, and I told you exactly what happened in it."

Last year, Sammy Hagar spoke at length about his final texts with Eddie Van Halen. During a chat with Kyle Meredith, the "Red Rocker" shed light on the tone of the chats and explained it was based on friendship -- not business: "It was so awesome. Our texts were so plain and simple -- 'Hey man, how ya doin'? And he'd start opening up to me about how sick he was, and, 'Dude -- I just had this tumor on the side of my neck -- ahhh.' So, I was always checkin' on him him seein' how he was doin' -- that was our relationship -- 'Hey, when can we get together?' Like, 'Hey Ed, tell me when you're ready, I'm gonna drive over and cook you a big ole' spaghetti dinner, y'know.' (Laughs). We were talkin' like that. Y'know, a guy's got cancer and is on his death bed -- we ain't talkin' about how much money he's got in the bank, y'know? We were trying to be friends and soulful and let each other know that we're okay and I'm there for ya."

Sammy Hagar & The Circle with George Thorogood & The Destroyers performs on Friday (August 26) in Maryland Heights, Missouri at the Hollywood Casino Amphitheatre.

Coldplay Entertains Mick Jagger At London Concert

Mick Jagger is a Coldplay fan.

The Rolling Stones' frontman posted a video on Twitter of him singing along and swaying to the music.

He wrote: "Had a great time watching Coldplay last night. A real busman's holiday!" The video captured the entire audience singing along to Coldplay's "Fix You."

The concert took place earlier this week at Wembley Stadium in London.

TL;DR:

  • Mick Jagger posted a video of himself singing along at a Coldplay concert.

Timothy B. Schmit 'Sincerely Doubts' Another Eagles Album Will Come

Eagles bassist Timothy B. Schmit doesn't think the group will ever record another studio set. The Eagles are currently on tour performing their legendary 1976 Hotel California album in its entirety along with other classic hits.

While chatting with Classic Rock magazine, Schmit was asked about the Eagles recording a followup to 2007's chart-topping and Grammy-winning, Long Road Out Of Eden, and said, "I sincerely doubt it. We toured behind our last album and put in five to seven of those songs (in the show). But we don't do them anymore because there wasn't a big reaction. When people come to see the Eagles they want to hear 'Best Of My Love,' 'One Of These Nights,' all these things. So we give it to them."

Schmit, who's always been revered for possessing one of the best sets of pipes in the business, was enlisted back in the day to sing backing vocals on such Steely Dan masterpieces as Pretzel Logic, The Royal Scam, and Aja. He shed light on their recording technique: "Working with them is a real feather in my cap. One time I was in the studio singing a high part, and Donald (Fagen) was listening in the control room. I did it a bunch of times, then finally I really nailed it. But he gets on the talk-back and says: 'That was really good. Can we do one more?' Those guys were super-perfectionist, which I loved."

Despite still being "the new guy" in the organization, 2023 will mark Timothy B. Schmit's 45th anniversary of taking over bass duties from founding member Randy Meisner. We asked Schmit to recall his first gig as an Eagle: "We did a lot of rehearsing and I did go on in '78. The summer of '78 I went to Canada (which) was my first gig. I went onstage, unbeknownst to. . . the audience didn't know. I mean, the majority didn't know. People that weren't fanatics didn't know that they weren't going to see Randy -- they saw me. It was a little bit strange, but I was so prepared. I knew my situation. There wasn't any big announcement, I just went onstage. What's not to like about being asked to join one of the biggest band in the world? And so when I finally got onstage, it was quite an accomplishment for me."

Flashback: Bruce Springsteen Releases 'Born To Run'

It was 47 years ago today (August 25th, 1975) that many fans believe Bruce Springsteen released the single greatest rock album of the 1970's -- if not in all of rock history; the legendary Born To Run.

The album -- which was the first to feature then-rock critic Jon Landau behind the boards alongside Springsteen's original manager, publisher, and producer Mike Appel -- was recorded in fear that Columbia Records would drop Springsteen should the album not break the pattern of his two previous 1973 sets, Greetings From Asbury Park, N.J. and The Wild, The Innocent, And The E Street Shuffle. Although both albums were darlings of the rock press, the albums -- combined -- had sold a paltry 90,000 copies upon initial release.

It was Appel who stirred up interest in the make-or-break third album by leaking copies of a rough mix of the "Born To Run" track to key to jockey's in Philadelphia, New York City, Boston, Cleveland, and other loyal markets, which bought Springsteen time to work without Columbia breathing down his neck -- and tightening the purse-strings -- for the long-overdue followup.

The main sessions from Born To Run spanned March to July 1975 at New York City's legendary Record Plant East. The title track was recorded in July 1974 at 914 Sound Studios in Blauvelt, New York.

Born To Run debuted on the Billboard album chart on September 13th, 1975 at Number 84, eventually peaked at Number Three, and went on to sell over six million copies.

Sensing the buzz brewing around the album, Columbia eventually poured a then-whopping $250,000 into promoting Born To Run, and Springsteen -- much to his chagrin and Appel's delight -- ended up on the cover of both Time and Newsweek during the same week that fall.

The full tracklisting to Born To Run is:

Side One: "Thunder Road," "Tenth Avenue Freeze-Out," "Night," and "Backstreets."

Side Two: "Born To Run," "She's The One," "Meeting Across The River," and "Jungleland."

In the 1998 BBC documentary Springsteen: A Secret History, Bruce Springsteen reflected on his life in the '70s: "Y'know, I think that experiencing those choices is confining when you're young. 'Cause you want every thing, and you wanna have everything, and you see every gal, y'know, this one, that . . . You live in this fantasy of endless possibility -- and then if you have some real success, there is an enormous amount of real possibility, you can mistake endless choice for freedom. That's an easy mistake to make."

In 2005's Wings For Wheels documentary, Springsteen explained that the writing and recording Born To Run -- which took far longer than both his first two albums combined -- was the moment where he needed to allow himself the room to discover where his next creative steps would be through patience, persistence, and most of all -- trial and error: "I was not interested in a strictly professional setup, because I didn't want to contain my. . . my talents in that box, because I didn't know where they we're going to lead me at the time. At that time, my concern was this; I have these abilities -- I don't know what they are -- but, I know that they're there and I don't know where they're going to lead me, but wherever that is I have to go, even if it's down a bunch of blind alleys till I find the one that I want. . . that I do wanna go down. And also just felt like, give me room to do this particular thing in my own fashion."

Bruce Springsteen always believed that although the Born To Run album is not about the same person -- all the stories could definitely be intertwined: "Born To Run has got that feeling of that one endless summer night. That's what the record, what the whole record feels like. It could all be taking place in the course of one evening in all these different locations, y'know? All these different stories on one, sort of, long summer night."

Producer Mike Appel recalled that Springsteen spent countless hours fine-tuning the recording of Born To Run's title track: "The arrangement of the song was always what it was. Bruce had it arranged a particular way and that was the way that it always stayed. However, we experimented with it a whole lotta things."

Born To Run was drummer Max Weinberg's first album as a member of the E Street Band. It marked the only time he hit the studio with the band and didn't record live: "That was the last record that we had done -- the Born To Run record -- at that time, where it was tracking. Where, y'know, you do a basic track and then layer. 'Cause (the song) will change, and it changes with your mix. It changes with your overdubs."

Springsteen recently spoke to Mojo and commented on the band's place in the mid-'70s music scene, explaining, "We straddled a certain line there, where part of what we were doing was a reaction to where early-'70s music had gone. We weren't given over to a lot of the extravagance . . . We felt very connected to the street, and to our neighborhood, and we felt very connected to the audience. . . We weren't part of a movement. We were in New Jersey. We were odd men out."

When pressed to define the ultimate "E Street Band sound," Springsteen reflected on several of the band's eras before saying: "I think of what people think of as that sound might really have formed on Born To Run. Where there was the glockenspiel, the piano was very featured, (and) the saxophone. Though we rarely use that sound today. The sound now has broadened out. Basically it's an ensemble sound; a dense sound. . . But its initial inception, I guess, was Born To Run."

Unlike nearly every other Springsteen album, Born To Run only featured a total of four outtakes: "Walking In The Street," "Lonely Night In The Park," "Linda Let Me Be The One," and "So Young And In Love" -- with the latter two finally seeing the light of day on Springsteen's 1998 Tracks box set.

With the defection of virtuoso keyboardist David Sancious -- who had been recording with Springsteen since his debut album -- and drummer Ernest "Boom" Carter, who both left the E Street Band to form the free-form jazz band Tone, Springsteen added new recruits drummer Max Weinberg and Roy Bittan prior to the sessions gaining steam.

Organist Danny Federici was absent from the album, barring the "Born To Run" track -- which also featured Sancious and Carter.

Steve Van Zandt, who helped on the arrangement of "Tenth Avenue Freeze-Out," joined the band that summer as the E Street Band's second guitarist, and says that the E Street Band has only gotten stronger as individual musicians throughout the years: "Y'know, everybody's better individually, and obviously older and wiser, and a bit more sophisticated about what we're doing. Y'know, it was always a family-oriented thing, y'know? It really was like a band, y'know, even though there was a leader of the band, but it was always a bit more band-oriented and family-oriented than a typical leader and a bunch of sidemen."

Bruce Springsteen says that when he looks and listens back to Born To Run -- the album that truly changed his life -- he's filled with deep emotion: "Y'know, I look back on it and I go, ‘Wow, y'know, the lyrics were beautiful and the band played lovely and dedicated themselves so deeply to my vision.' Which is a very touching thing for somebody to do for you. Y'know, you can't buy it. Y'know, it can't be bought. Y'know, it's just something that somebody does. So, when I hear the record, I hear my friends and I hear my hopes and my dreams and what I thought my life was going to be like as a 25, 24-year-old kid. I see out as the start of some of the most important and fundamental relationships of my life."

Springsteen's 2005 30th anniversary boxed set of Born To Run included a remastered version of the album, with a CD featuring a miniature reproduction of the album's artwork, a 48-page booklet, the Grammy Award-winning documentary on the making of the album Wings For Wheels, along with a concert DVD Bruce Springsteen And The E Street Band /Hammersmith Odeon 1975.

During the E Street Band's 2009 tour, Born To Run was played in it's entirety 13 times.

An early draft of "Born To Run" lyrics sold for $197,000 at auction at Sotheby's. Although the lyric sheet had originally belonged to Springsteen's early manager-producer-publisher Mike Appel, the seller and the buyer -- who bid by phone -- remain anonymous.